Oops, I did it again… I went and saw Richard Thompson live in concert again last night.
I’ve posted about him before. And I’m going to do it again, because he’s so doggone good. Nay, great. Last night it was the Richard Thompson Electric Trio, featuring RT, a bassist and a drummer (and occasionally Richard’s guitar tech on guitar, making it, as Richard said, “a very large ‘trio'”). They absolutely rocked the Southgate House – a former church… saints be praised!
To see a man who is 69 years old (and has been in the business 50 years) absolutely shredding on guitar is life-affirming to a middle-aged dude like me. Although it’s a double-edged sword – a couple of friends of mine who are in local bands (Wussy and Pike 27) were in the audience, and they joked about donating their instruments to needy kids after seeing Richard Thompson because they realized they’ll never be as good. But there’s no shame in that; millions of performers aren’t fit to carry his guitar pick. He’s a quadruple threat, as I mentioned in my previous post (with a few updates):
The show was a typical RT show… which is to say, amazing. I don’t think you’ll find his rare combination of talents in too many folks:
virtuoso guitarist – I’d put him up against any teenage phenom.
phenomenal voice – so strong, even at age 69.
fantastic songwriter – great, sometimes twisted lyrics and wonderful melodies. It’s no wonder his tunes have been covered by the likes of R.E.M., Elvis Costello, Bob Mould, Bonnie Raitt, Reckless Kelly, The Neville Brothers, Marshall Crenshaw and Dinosaur Jr. (that’s a festival lineup I’d like to see).
entertaining stage presence – that droll British wit is always in evidence.
The Electrio Trio was fantastic (you can catch their entire Shrewsbury Folk Festival performance from a few months ago here). The songs from Richard’s latest album 13 Rivers are a great addition to his oeuvre. Back catalog highlights for me were “Wall of Death” and “Tear Stained Letter.” But late in the show Richard played back to back acoustic numbers that are utterly brilliant: “Beeswing” and “Dimming of the Day.”
Most artists would kill for just one song as good as those. But for Richard the Great, they’re just par for the course. I still have goosebumps.
My friend Mike Argadine made me cry yesterday. (And today too, for that matter.) He sent me a link to the video below. It’s a song by the band Frightened Rabbit, as done by fans.
Frightened Rabbit wasn’t a global sensation, but they were big enough to have thousands of avid followers all over the world, and released several albums. They didn’t have any casual fans – if you were into them, you were cuckoo, head-over-heels, abso-tively posi-lutely in love with them. Their songs were burned into your brain, etched into your heart and seared into your soul. There was a lot of darkness in the music— with titles like “The Modern Leper” and “Swim Until You Can’t See Land” — but those songs resonated, they were cathartic, and they helped us make sense of an often-senseless world.
Frightened Rabbit’s lead singer and main songwriter Scott Hutchison took his own life in May, when the demons of depression and anxiety that he battled daily for 36 years overcame his better angels.
We mourn the loss. We miss Scott dearly. But his music will carry on… and carry us with it.
When it’s all gone Something carries on And it’s not morbid at all Just that nature’s had enough of you
When my blood stops Someone else’s will thaw When my head rolls off Someone else’s will turn And while I’m alive, I’ll make tiny changes to earth
“Be so good to everyone you love” was one of Scott’s last tweets before he left us. It’s up to us to honor that request, and make tiny changes to Earth.
Did you know “misspelled” is one of the most commonly misspelled words in the English language? (People usually leave out the 2nd “s”.) Another commonly misspelled word is my first name. It’s Damian. But folks mess it up all the time. Not just strangers, mind you, but people who have known me for years. Granted, there’s also a name that’s similar, spelled Damien. But it should be easy to keep those separate in your head – I (DamiAn) am an Angel, and DamiEn is pure Evil.
I’m in the mentoring program at my alma mater, Xavier University, and they recently published a promotional video featuring my mentee and me. (I know why they did it… so other alums would say “geez, if that loser can do it, I can too!”) And of course they spelled my name incorrectly. (Warning: this video contains scenes of middle aged mediocrity.)
Poor Maddy. Not only did she get stuck with me as a mentor, but they also misspelled her first name.
It turns out that this misspelling has been going on for half a century. While going through the archives of the Jersey City Journal (I really need to find a new hobby), I found the obituary for my mom… and you guessed it, they messed up my name.
My co-workers… even folks I’ve worked with for more than a decade… often get it wrong.
Well, the joke’s on them now, because we just hired a DamiEn and I’m gonna forward all the emails with my name misspelled to him.
Seems like nearly everyone had a love/hate relationship with Hee Haw, the cornpone version of Laugh-In. As a New Jersey native transplanted to Arkansas in the summer of ’72, I could certainly understand both parts of the equation (i.e. “ha-ha, what rubes!” and “ha-ha, that’s my life!”). It was super-hick instead of super-chic, yet somehow it worked, and lasted a quarter of a century.
Roy’s instrumental mastery (his “a-pickin'”) was often overshadowed by the part he played on Hee Haw (“a-grinnin'”). But the man had major skills. And because Hee Haw only taped for three-week stretches twice a year, he could still tour. Good work if you can get it. Plus, the show gave a lot of country artists their first national exposure, something Roy was proud of:
With all of its twists and turns, the program gave me an incredible education in the business of show business—the importance of ratings, questionable executive decisions, syndication, money, problematic artistic decisions, demographics, image, coincidence and luck. But first and foremost, I am most proud of how Hee Haw did its part to help pave the way for country music to burst from its regional roots to remarkable worldwide popularity. (Source: this Huffington Post article written by Roy in 2015)
Tony Orlando, Johnny Cash and Roy Clark – quite a trio.
The show itself, and Roy and Buck, served as both punching bag and punchline for many critics over the years. But as usual, Roy got it… and got the last laugh.
You know, like my dad told me, listening to different types of music and the way that people live, he said, don’t put it down until your heart hears it.
Now, you’ll hear it with your ears, but don’t write off, say I don’t like that. Listen. Listen for a while. There’ll be something in there that will appeal to you. And it – it’s made me, you know, a successful life that I wouldn’t change one note. (Source: Roy Clark’s NPR interview with Scott Simon in 2016 – full audio is below)
Kevin Sullivan on Life advice from a man who lived it: “A good one Damian. Bring our lens into focus after the long weekend or our long life journey.” Jul 7, 09:38
Thomas Kuhl on We’re alive, because nothing happened.: “That is why we should celebrate every day when our feet hit the floor. Another to enjoy and share with…” Jun 25, 04:33
Thomas Kuhl on We’re alive, because nothing happened.: “This simply explains why we should celebrate every day our feet hit the floor. Another day to enjoy and share…” Jun 25, 04:31
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