Yes, I still read comic strips. Not only that, but I also read blog posts from some comic strip creators (not the Dilbert guy, though…).
“Wayno” is the nom de plume for the guy who creates the weekday versions of Bizarro, a single panel strip created by Dan Piraro (who still does the Sunday version). Wayno just won the National Cartoonists Society award for Best Newspaper Panel. Here’s a recent example of his work:
A twist on the ol’ banana peel joke… with a tribute to music/pop art thrown in for good measure:
No wonder Wayno won!
But that’s not why we’re here today. We’re here because of Wayno’s blog. This recent post really hit home for me. It starts with a Captain Beefheart quote:
Art is rearranging and grouping mistakes.
Don Van Vlietaka Captain Beefheart
Don Van Vliet was eminently quotable, though much of what he said could be puzzling, as he had his own manner of forming thoughts and constructing sentences. The line we’re sharing here is straightforward and relatable. It’s also a valuable bit of advice.
My take is that experimentation and editing are required to produce art, and that it’s rarely created fully-formed. The most important step in creating any type of art is starting with something—a mark on a piece of paper or a couple of words, and building from there, keeping what works and setting aside what doesn’t. In fact, getting to a satisfying (if not great) work of art requires making countless mistakes.
It’s so true. And it echoes advice from other creators – Seth Godin’s “ship your work” and Steven Pressfield’s exhortation to fight “the resistance” by doing the work, and Anne LaMott’s concept of “sh*tty first drafts.”
If you want to make something great, start by making something. It might be awful… in fact it probably will be awful. But you’ll learn as you go – merrily screwing up along the way.
Trust the process – and mistakes are an integral part of the process.
Bob Newhart passed away Thursday at the ripe old age of 94. His humor, on the other hand, will never grow old and never leave us.
There are very few other comedians — if any — who could get laughs out of just one side of pretend phone conversations.
Bob did more with the pregnant pause than most comedians could do with 20 lines of dialogue. He was perfectly content to play the “normal” guy surrounded by wacky characters. And he crushed it for decades, starting with a best selling comedy album in the 60s, then The Bob Newhart Show in the 70s, Newhart in the 80s (with one of the best show finales ever).
Papa Elf in Elf in 2003, a guest actor Emmy in 2013 on The Big Bang Theory… He guest-hosted for Johnny Carson on The Tonight Show 87 times, and always told great stories on the late-night talk shows, especially the ones about his bestie Don Rickles.
LOS ANGELES – MAY 31: Legendary comedians and their wives (L-R) Don Rickles, Barbara Rickles, Ginnie Newhart, and Bob Newhart pose for a portrait backstage at the Las Vegas Convention Center at the AARP convention in Las Vegas, Nevada on May 31, 2013. (Photo by Jim Steinfeldt/Michael Ochs Archives/Getty Images)
And he was a lovable off-camera as he was on it.
“He was as kind and nice as he was funny. “
Carol Burnett
Oh, and he was married to his wife “Ginny” for 60+ years until she passed last year.
Not bad for a failed accountant.
Bye, Bob… the world misses your warmth and humor already.
I’ve always had a face for radio. But my first cousin once removed is a star of stage and screen!
That’s Erika Henningsen (my first cousin once removed!) on the right. She has the lead role in Hazbin Hotel, a new animated series now streaming on Prime. She plays… the princess of Hell!
She also played “Young Gloria” in Girls5Eva – all episodes of that series are now available on Netflix.
And she originated the role of Cady Heron in Mean Girls on Broadway.
(I think that’s her future hubby Kyle Selig on the left… )
Oh, and she made her Broadway debut as Fantine in Les Miserables. NBD.
Acting isn’t an easy profession. There’s plenty of drama before you even get to the drama (or comedy, or romance, or…). I’m glad Erika learned early on that you need to be resilient, and to separate your work worth from your self-worth:
“Constant rejection became a thing that was just inevitable,” Henningsen said of the cycle of auditions. “It is inevitable in this business because there is so much job turnover. I think I got used to that much faster than I anticipated, because I realized that rejection has nothing to do with my identity or my sense of purpose; it just is for that one job. And the sooner you can get over it, the sooner you can move on.”
While I was in D.C. (see previous post), I spent a fair amount of time walking. I pretty much went wall-to-wall on the National Mall. From the Capitol to the Supreme Court to the White House (3 government branches in one stroll!) to the Washington Monument and the Lincoln Memorial.
My friend Kevin, who has lived in D.C. for 20 years, suggested I check out the FDR Memorial. I’m glad he did. It’s different from the other memorials, and was quite interesting and thought-provoking.
Though I’ve been to D.C. before, my previous visit was many moons ago, before the MLK Jr. Memorial was built. So I visited that powerfully moving site as well.
I also visited the Smithsonian National Museum of American History. It was a bit disappointing to see that most of the crowd was more interested in the Star Wars droids than in the displays on, say, transportation, or Hispanic women in broadcasting, but that meant more space for me…
And on a rainy morning, I spent a couple of hours at the National Art Gallery. I found a portrait subject who is a dead ringer for my oldest son Gabriel.
And I found a portrait of guitarist/singer Tommy Shaw of Styx (and Damn Yankees!).
At least, I think that’s who it was. Then again, maybe I spent too much time staring at Star Wars droids.
Of course, no visit to our nation’s capital would be complete without a visit to…. drumroll please… the Morgan Fairchild star on the sidewalk outside some theater:
Her hair alone should be a national monument.
And she’s given so much to this great nation of ours. Dallas. Falcon Crest. And the ultimate achievement: co-hosting Battle of the Network Stars XIV with Howard Cosell.
I spend most of my waking hours (typically 2-6 p.m. – I’m very sloth-like) listening to music. And on those rare occasions when I’m not listening to music, I’m listening to podcasts about music. (60 Songs that Explain the 90s is hilarious!) One of the shows in the regular rotation is Sound Opinions, co-hosted by longtime Chicago music critics Greg Kot and Jim DeRogatis.
Their most recent episode is “Give the Drummer Some” – here’s the synopsis:
I enjoyed the entire episode (although I vehemently disagree with fellow-Jersey-City-born Jim DeRogatis’ opinions about The Who). But it was the final segment, an interview with influential R&B, soul and funk drummer Bernard “Pretty” Purdie, that really caught my ear. Because it wasn’t just about music, it was about life.
Bernard Purdie has a signature drum sound: “The Purdie Shuffle.”
His session work can be heard on thousands of songs, especially ones from the mid-60’s through the early 80’s. Aretha Franklin. Steely Dan. Hall & Oates. Nina Simone. Miles Davis. The list goes on… and on. Here’s one legendary example:
Purdie’s handiwork (and footwork too – drummers put their body and soul into it!) has been sampled by plenty of hip-hop artists in the ensuing years. And here’s the thing: If you’re not the recording artist or the songwriter, you probably don’t get a nickel in royalties. If someone wanted to sample the “Rock Steady” drums, they’d have to cut a check to Aretha, not Bernard.
It would be easy for him to be “Bitter Bernard” instead of “Pretty” Purdie. But he’s not. Check out this two-minute clip from the interview on Sound Opinions where he talks about his approach to getting the short end of the drumstick:
Yes, I was bitter for a while. No more. I stopped being bitter because bitter means that you don’t live long… I just want to have fun. I want to enjoy myself and have a ball!
Bernard Purdie
That’s just beautiful!
I tuned in for some music, and got a life lesson in the bargain. Keep rockin’ steady, “Pretty” Purdie!
It’s a lovely illustration by a lovely person, my friend Damjana. She’s from Slovenia. I’m from Mars (a.k.a. Arkansas). I met Damjana and her friend Mija in Ireland 33 and 1/3 years ago, and we’ve stayed in touch ever since (as also chronicled in this post from 2020).
I can’t help but smile whenever I see Damjana’s dancing snowman. Which is why I’ve printed it out and taped it on a wall of my “home office” (a.k.a. dingy basement). It’ll help me get through the dreary months ahead.
Real artwork, done by a real live human being – accept no substitute. Even in the age of AI.
As a WordNerd™ who has zero talent in the design/illustration department, I’ve always admired amazing artwork. As someone who worked at ad agencies for more than a decade, I’ve been lucky enough to cross paths with some of the best artists around.
AI-generated art is nothing more than a synthesis of the handiwork of folks like them, and millions more flesh and blood artists.
If you’re just an inept artist like me and looking for an illustration for your puny little blog, sure, go ahead and use Dall-E 2, Stable Diffusion or Midjourney. But if you’re working on a commercial project, enlist a human being. You’ll get art with heart. Art that creates connection. Art that will make you smile. Totally worth it!
Damian on Connecting the Dots: “Thanks for reading, Doug! Not surprised that your media roots run deep.” Jul 3, 23:07
Douglas Balogh on Connecting the Dots: “6 degrees from KSD. They were my client when they were a Pulitzer station. Tell Alicia I was with Blair…” Jul 2, 22:40
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