2, 1, none better

2, 1, none better

Two women. One microphone. None better at bringing songs to life. I love Lucius.

Photo credit: Jon Calderas, CincyMusic.com

Lucius played Memorial Hall in Cincinnati on Wednesday. Actually, they wrapped Memorial Hall around their matching little fingers. Such powerful, pristine voices, such picture-perfect harmonies, such soul-stirring songs. For me, it was goose bumps all night long.

To the uninitiated, the matching outfits, makeup and wigs/hairdos can seem like a gimmick. But when you hear the voices of Jess Wolfe and Holly Laessig intertwine and mesh so well, it totally makes sense. They are two, yet one.

But let’s not forget the other three folks on stage – playing guitars, drums and providing backing vocals that always served the songs, complementing them but never overshadowing them.

One woman at the show had traveled 600 miles to see Lucius. Totally worth it. If they come anywhere near you (and the show isn’t already sold out), you simply must attend.

Drumming up free tickets

At long last, the story can finally be shared. One of the greatest, most magical and serendipitous moments of my concert-going career happened more than six years ago… and the statute of limitations on stalking in the state of Tennessee is six years.

Here’s the deal – early in 2013, my wife had the fever for Rock & Roll half-marathons. She wanted to run an out-of-town event. She looked at the schedule and Nashville seemed like the best choice: a mere four-hour drive away, and we’d always heard good things about the city but we’d never visited before. Win-win.

I was at work, and on the phone with my wife as we were debating whether or not to go. I remembered the words of my music buddy Joe Sampson: “If you go to Nashville, you have to see a show at the Ryman.” (For the unintiated, the Ryman Auditorium is an old house of worship – it still has pews for concert seating – which hosted the Grand Ole Opry from 1943 to 1974.)

“The Mother Church of the Grand Ole Opry”

So I hopped online and checked the Ryman schedule… which showed that one of my favorite bands, Band of Horses, was playing there Saturday night! And the marathon was Saturday morning – perfect timing! So I immediately tried to get tickets – but the website kept showing me tickets for Sunday, not Saturday. Turns out that the Saturday show was already sold out, and we couldn’t stick around for the Sunday night show that had been added. So close, and yet so far. From the highest of highs to the lowest of lows in a matter of seconds. I remember telling my wife, “It’s OK, we’ll go back to Nashville some other time for a Ryman show.” But deep down, I was crushed.

Fast forward to the day of the race. It rained buckets in Nashvegas throughout the entire morning. Monsoon conditions for the whole race. I met my wife at three different parts of the race to cheer her on. She was soaked to the bone, and I was getting sopping wet too, even with a golf umbrella to shield me from the storm. After the race, the sun finally poked through a bit, so we decided to head down to the restaurants and bars along the Nashville “strip”, Lower Broadway. The Ryman is just around the corner from Lower Broadway, so we walked past it during our afternoon travels. I spotted a tour bus in the alley next to the Ryman, and joked with my wife that we should go past it, because I’d seen Band of Horses five times in four different cities by then, and they’d recognize me as a superfan and hook me up with free tickets to their sold-out show. As if!

But as we were joking about that, the Band of Horses bass player got off the bus and headed to a doorway in the alley. Hmm, must be a backstage entrance of some sort… let me think…

There was a Lower Broadway bar that had a back patio on the alley, near the Ryman side door. What the heck, let’s grab a beer and hang out here for a bit. Sure enough, about 15 minutes later, the drummer for Band of Horses, Creighton Barrett, came outside that door for a smoke.

“I wasn’t stalking him, Officer, I swear!”

I really wasn’t, but since he was outside and we were 15 feet away, I couldn’t resist the urge to approach him and ask if I could take a photo with him. And that’s all I wanted – a photo op.

I was positively giddy, and blabbering on incoherently. “Sorrytobotheryou…ImabigfanI’veseenyoufivetimesinfourcities…. wecametotownfromCincinnatiforamarathon…canIgetaphoto?”

Instant Besties!

Creighton was super-sweet about me pestering him during his smoke break. I even screwed up his name and still he let my wife take the picture, and hid his cig behind his back so it wouldn’t show up in the photo.

During our less-than-two-minute encounter, this exchange happened:

Me: Who is opening up for you tonight?

Creighton: Nobody. We’re doing an acoustic set first, then an electric set.

Me (dejectedly): Oh, man!

Creighton: Aren’t you going to the show?

Me: No, it sold out before we could get tickets.

Creighton: You want me to see if I can put you on the guest list?

Me: No, that’s alright, we can try to scalp tickets…

Creighton: Why don’t you let me at least check? If there are any tickets left on the guest list, I can add your names. It’s no trouble at all, and I’d hate to see you miss out on the show if there are extras.

Me (dumbfoundedly): Um, OK, sure.

He then asked me how to spell my first and last name, and typed it into his iPhone. He even held up the screen to me to make sure he spelled it correctly. Then he said “Hang out here, I’ll be back in 10 minutes.”

As soon as the door closed, I thought for sure that we’d seen the last of Creighton Barrett – we’d fallen for the old “wait right here, I’ll be back” trick that band members use on unwanted groupies. But he actually came back five minutes later, and said “You’re in! I put you on the band list for two tickets.”

Unfreakingbelievable! Part of me still couldn’t believe it was true. When we went to box office that evening, I felt super-weird saying “Dotterweich – we’re with the band.” I couldn’t even look as the box office worker went back to check for our alleged tickets. But sure enough, the tickets were there – first row of the balcony, sitting next to relatives of other band members.

Stalking has its privileges…

Before the show began, the ushers even brought us copies of the set lists because we were “special guests” of the band.

Acoustic set on the left, electric/full band on the right.

The show was absolutely fantastic too. My friend Joe was right, there’s nothing quite like a show at the “mother church” and Band of Horses was in peak form. If there’s a Cloud 10, I was most assuredly on it.

Image result for band of horses logo
They put out a record of the acoustic songs… listen closely and you can hear me clapping.

Right place, wrong time turned into right place, right time… completely on a whim.

After the show, I wanted to get in touch with Creighton to thank him for being so sweet and generous. I was thinking I could donate the cost of the tickets to a charity of his choice. But I didn’t have any way to contact him other than via public social media – and if I did that, every shmuck in the country would start stalking him at venues. If you’re tight with CB, let him know – my offer to donate to a charity of his choice still stands.

Meanwhile, channeling my inner Casey Kasem, I’d like to make a long-distance dedication to Mr. Creighton Barrett, the drummer who made his way outside the Ryman and found his way inside my heart forever.


Wicked good kids

Last night I attended another house concert at the home of my friends Dave and Jacqui. (You can read about the first gig in a previous post.) They’ve always been huge music fans. Now that they’re semi-empty-nesters, they took the plunge and started booking gigs into their home – nearly one a month throughout the year, in what they call their Parlor & Patio series.

Wicked Peace was band performing last night (sans their drummer – it’s a house concert after all). They’re just a bunch of kids from this hills and hollers… Kentucky for most of them, and West Virginia for one.

The lead singer Tanner and guitarist Patrick met in 2013 when they lived next door to each other in the dorms at Morehead State. Started jamming, started writing. Lead singer conscripted his older sister Amanda as a second vocalist and additional songwriter. They nabbed their bass player Jared from the music program at Morehead, and found their drummer Matthew in their new home base of Lexington.

It’s a family affair – in addition to the brother-sister lead singers, Amanda’s husband Adam is the band manager/booker, does album and poster artwork, sells merch, helps direct their videos… heck, he probably changes the oil on the van too!

Wicked Peace did a very nice set of tunes… some songs sounded a bit like Houndmouth, and Amanda’s voice is like a Southern Sandy Denny.

The show included a tasty “pie break” intermission, where Dave and Jacqui served up free slices from a great local bakery called Piebird.

No photo description available.

Great music, gracious hosts, an attentive (no cell phones allowed) and appreciative audience… and pie. What could be better on a beautiful Friday night in the spring? Nothing!

You can check out Wicked Peace’s videos here.

Still the top ranking

“Ranking Roger” of the bands The Beat (a.k.a. The English Beat for U.S. audiences) and General Public passed away a week ago at the age of 56, after a stroke and a battle with brain tumors and lung cancer.

Image result for ranking roger

Ranking Roger (real name Roger Charlery) started out as a London punk rocker before teaming up with Dave Wakeling in The Beat, part of the Two Tone “second wave” of bands that fused ska with punk rock, new wave, reggae and pop music. After The Beat broke up, Roger and Dave formed General Public, while two other Beat members teamed up with Roland Gift to form Fine Young Cannibals. Roger later formed The New Beat and performed with his son, and later still The Beat featuring Ranking Roger.

Image result for the beat band

It’s worth noting that Ranking Roger was black and Dave Wakeling was white. Well before Michael Jackson and Paul McCartney were teaming up for that schmaltzy “Ebony and Ivory” tune, the Beat were uniting fans of all colors.

“When the Beat were originally going ’round,” he said, “our audiences were so mixed — black, white and Indian, young people and older heads. It was brilliant, and I think we have kind of achieved that today. It is a bit different, obviously, but it is a very friendly crowd and everyone walks out sweating and happy, and I tell myself that’s the most I could ask for.”

Source: New York Times

They also tackled political topics in their songs, most famously in “Stand Down Margaret”… a comeuppance to Margaret Thatcher with the last lines of “love and unity, the only way.”

From the NYT obit: The Beat was born in part out of frustration with the conservative turn in England’s politics.

“To the English Beat,” Robert Palmer wrote in reviewing the group’s second album, “Wha’ppen?,” in The Times, “unemployment, ecology and the antinuclear movement are not separate issues; they are interrelated.”

“Anyone who would like to understand more about the attitudes underlying Britain’s inner-city rioting,” he added, “would do well to start here.”

This nine-minute interview is a great glimpse into Roger’s humble demeanor and his dedicated approach to performing.

Even in his 50s, he was still giving it his all.

That sort of free-spirited yet socially conscious attitude toward life ranks high in my book.

Oblivion is the best medicine

An early contender for album of the year is eponymous debut from Better Oblivion Community Center. The band is a collaboration between Phoebe Bridgers and Conor Oberst. Phoebe is on a roll: in 2017, she released her debut album, Stranger in the Alps, , to well-deserved critical acclaim, and last year she worked with two other rising stars, Julien Baker and Lucy Dacus, to release a fantastic EP under the name boygenius. Both releases are well worth multiple spins. Listen now and thank me later.

Now Phoebe has teamed up with Conor Oberst (Bright Eyes, Monsters of Folk) to put out an album that’s stellar from start to finish. The tune “Dylan Thomas” is the song of the year, sez me. Love the lyrics.

https://youtu.be/TTrpv3CGRls

And here’s another stellar track, “Didn’t Know What I Was In For.”
It’s much mellower but again so strong lyrically and musically.

https://youtu.be/lZhix3dZMR4

We may as well complete the CBS This Morning trifecta with “My City.”

https://youtu.be/HGWpliHis7k

And for bonus indie cred, the video for “Dylan Thomas” was directed by Michelle Zauner… a.k.a. Japanese Breakfast, another dubbatrubba favorite band.

Looks like I’m not the only card-carrying member of the Better Oblivion Community Center fan club, though. If you want to catch them in concert, you’ll have to visit a scalper or Scandanavia.

Blues: The Next Generation

Here’s a photo of two blues legends… and two future legends.

L to R: Bob Margolin, Phil Wiggins, Joe Tellmann and Ben Levin

The dude at far left is “Steady Rollin'” Bob Margolin, who played with Muddy Waters from 1973 to 1980, and has been performing under his own name since, garnering Blues Music Awards along the way. The gentleman on harmonica is Phil Wiggins, a master of the”Piedmont Blues” style, most notably in the duo Cephas & Wiggins, which performed for 32 years until guitarist John Cephas passed away in 2009. Phil is still actively performing, and was awarded an NEA National Heritage Fellowship in 2017.

The kid on guitar is Joe Tellmann. I worked with his dad Dave in the early 90s, at a tiny indie rock station called 97X. (Shameless plug: Dave & I do a podcast about our days at the station.) Dave and I have been friends ever since. The kid on piano is Ben Levin, a neighbor of ours. He and our oldest son Gabriel went to school together in junior high. Now Joe, Ben and Gabriel are all freshmen at the University of Cincinnati.

Joe and Ben are blues wunderkinds – musical prodigies with more chops than a Bruce Lee movie. The photo above is from a Pinetop Perkins Foundation MasterClass performance last summer in Clarksdale, Mississippi (“crossroads of the blues”). The Pinetop Perkins Foundation supports young artists who are interested in the blues, and provides opportunities for them to learn from seasoned pros.

Image result for the blues meme

But let’s set aside the musical talent for a moment. Both Joe and Ben are great kids. Even if they couldn’t carry a tune in a bucket, their parents would have ample right to be proud of the young men they’ve become. Their musical talents are just icing on the cake… or maybe the discipline required to learn and master an instrument also comes in handy off stage. When schools face budget cuts, the music program is one of the first ones to walk the plank. That’s a shame, because music has myriad benefits.

Some folks claim the blues are a dying art form, but I disagree. Check out this clip and you’ll agree that with Joe and Ben involved, the blues are in extremely capable hands.