The weekend’s too short

I had a fun-filled, music-filled weekend (the latter often begets the former). Friday night, I went to see Japanese Breakfast at the Taft Theater Ballroom, which is actually the basement below the Taft Theater in downtown Cincinnati. It has that 80s basement rec room vibe to it (the only thing that’s missing is the bumper pool table) but I’ve seen some great shows there, including the one Friday night. Japanese Breakfast is fronted by Michelle Zauner, a Korean-American singer/songwriter/performer from Philly who kicks butt with her band live.

She’s got a great voice, and her lyrical skills are impressive. Japanese Breakfast has two albums out, and both are fantastic slices of dream pop. The first one, Psychopompwas written while her mom was battling cancer, and recorded after her mom passed away. The new one is called Soft Sounds from Another Planet. Here’s one of my favorites from it.

On Saturday, I saw a cover band at a local bar in Mt. Adams. But not just any cover band. Cereal Killers cover songs from my era… not the “hits” either, but the indie/college rock/pub rock/new wave gems from the late 70s and early 80s. The Clash. X. Smithereens. R.E.M. INXS. With some Tom Petty thrown in for good measure.

The lead guitarist is my friend and neighbor, and my wife is good friends with the lead singer’s wife. They were playing outside and it was a gazillion degrees, but I still hit the dance floor. Probably the first time I’ve danced in more than a decade (note: I’m still horrible but now am 29% more arthritic!). I danced mainly because the lead singer’s wife guilted me into it (it was her birthday – how could I refuse?) but also, how many more chances will I get in my lifetime to dance to a Billy Bragg song? (Answer: two at best, with a margin of error of plus or minus two.)

Who needs Father’s Day gifts? All I need is a bunch of live music and a couple days off from work. Actually, I could use a couple more days off from work… I’m still aching.

 

Music matters

This is old news (not “fake news”) but well worth covering here. Back in April, KEXP-FM in Seattle received a bequest from an anonymous donor… to the tune of $10 million.

I couldn’t think of a more deserving station. KEXP is, per their website, “a listener-powered, non-profit arts organization.” Their slogan is “Where the music matters” and they are true to their words. They play great music (emerging artists, indie bands… you know, all that “weird” music that I love) and have knowledgeable, personable DJs. Actual human beings selecting songs… what a novel concept in a world of robot radio! They host a ton of live in-studio performances too – you can watch the videos on their website or their YouTube channel.

The anonymous donor, known only as “Suzanne,” didn’t even live in the Seattle area, but she had family there. When she mentioned to her uncle that her favorite local radio station had gone off the air, he turned her on to KEXP (you can listen online) and she became an avid listener and donor.

“When I told my uncle that my favorite radio station had just gone off the air, he turned me on to KEXP,” she said. “Music is one of the best ways to unite people globally, and I love an organization which spreads that goodness.”  (Source: New York Times article)

She passed away in 2016, at a relatively young age, and KEXP was informed of the gift in early 2017.

Not many folks have $10 million to leave to a radio station. (I double-checked my couch cushions… no such luck.) But we can all support music. This quote from KEXP Executive Director Tom Mara really resonated with me:

“I think this is a good time for anybody to reflect on the role that music has in their lives, in that music makes lives better, and each of us, including myself, we need to support artists to a greater extent. We need to see their shows, we need to buy their music and we need to discover artists that need to be heard,” Mara said. “Music often plays a background role in our lives, and it does very well there…Let’s take this moment as a way to bring music into the forefront of our lives, too.”  (source: Seattle PI article.)

 

 

The fickle finger of fame (a.k.a. A Tale of Two Artists)

On Thursday, I went to see a 25-year-old singer/songwriter in concert. On Saturday, my wife and my daughter went to see a 28-year-old singer/songwriter in concert.

The person I went to see has released four albums. His first releases featured a blend of country, blues and gospel, but his new album skews more toward pop while retaining those other influences. The person my wife and daughter went to see has released six albums. Her early releases were mainstream country, but her most recent releases are decidedly pop.

The guy I went to see played at the Southgate House Revival in Newport, Kentucky to an enthusiastic audience of about 400. The woman my wife and daughter went to see played in a field in Chicago… to an adoring audience of 61,500.

There isn’t much difference in talent between Parker Millsap and Taylor Swift.

One just has a stronger reputation.

You can keep your arena shows… I’m happier with other arrangements.

Because sometimes (but not always!) selling out stadiums requires a different form of selling out. And for the price of a single nosebleed seat to see T-Swizzle, I can get up close and personal at a dozen smaller shows.

It’s such a fine line between relative obscurity and worldwide fame.

 

 

 

 

 

 

Good grief, Charlie Brown knows how to rock!

I’m a huge Rush fan (read: nerd) and because I’m in charge of employee communications at work, I manage to slip a Rush reference into all-company emails every once in a while (read: nearly every week).

So all of my co-workers are aware of my undying devotion to Canada’s premier power rock trio (suck it, Triumph!). One colleague sent me a link to an article posted yesterday on the Onion AV club. A dude named Garren Lazar has been setting Peanuts footage to rock songs for a while, and he recently posted a clip that syncs up the Peanuts gang with the entire twenty-plus-minute “2112” song suite.

Naturally, I love it. Having Linus as the protagonist is pure genius… the same goes for Pigpen playing the drums like Neil Peart. Check out this three-minute excerpt:

The entire clip is here if you have 21 minutes and 12 seconds to spare. (Yes, 21:12! We see what you did there Garren!)

Have a Rushtastic weekend!

Yanny or Laurel? Who cares! Let’s drink!

The whole “Yanny or Laurel” audio clip was a viral sensation last week. (I know, I’m behind the times… I’m used to it.)

This New York Times slider will let you hear both.

But if you were born prior to the internet age, you’ve seen contentious debates like this before.

It divided the country. Even bowling teams nearly came to blows over it.

And then there was the great “Chocolate in my peanut butter/peanut butter on my chocolate” feud:

(I wonder if the kids were listening to Yanny/Laurel on their Walkmans.)

We’ll figure it out.

 

 

 

 

 

 

E.T., don’t phone home

My son’s Algebra teacher is also my new hero. Here’s a note she sent out to parents of her students:

Parents –
I have “preached” from the beginning of the school year, in August, that cell phones are not to be out during class unless I have given permission.  Most students are having no problem with this as I allow them to take the phone out to take a picture of a homework screen on the Daily PowerPoint or to use an app for making note of the homework assignment.  Most students can put their phones away after completing the task.
Apparently my long-term sub was a bit more lenient about cell phone use and some students seem to feel his policies still stand.
Noticing this after my return on Monday, I let students know that my policy still stands.  But, I had to confiscate phones from students today.  My policy is stated in the Policies, Procedures and Rules document all students received from me in August.  It is also posted on Schoology.  It refers you to the Student Handbook for the school’s policy on cell phones.  The pertinent section is on page 12.  The Student Handbook is on the school website – www.walnuthillseagles.com.
I’ve heard all the excuses: it’s my mom letting me know that she’s picking me up after school; it’s my grandma telling me she’ll be coming to get me at a certain time for a dentist appt; it’s my friend letting me know what we’re doing this weekend, and on and on it goes. I even had a student tell me (as their phone was actually ringing), that they needed to take the call.  Did I mind?!
If as a parent, you feel it is more important that your child is always checking their cell phone for a message, please let me know.  I will not repeat instruction, during class or at a Help Time, for students who choose to use their instruction time for cell phone time.  I feel they can last 50 minutes in a class, then check for messages on their way to their next class.  We often finish with a few minutes left in the bell and I haven’t minded that they pull their phones out then.
Emergencies should always come through an office.  I cannot release a student without office notification anyway, so letting them know about something through a cell phone message isn’t the proper or most expedient way to retrieve your student from school.
I hope you can support me in this.  My assumption is that your child is at Walnut for an education.  If that’s not important to you or your child, then I need to know this.
Thanks so much,
Mrs. Burris
 I love it! Her class is the high school equivalent of Luke’s Diner on Gilmore Girls: 

I love the closing lines the most: I hope you can support me in this.  My assumption is that your child is at Walnut for an education.  If that’s not important to you or your child, then I need to know this.