Going viral for good

The interwebs can be a cesspool. Facebook has prioritized profits over patrolling perfidy, so news feeds polarize and even radicalize. The dark web offers easier access to a virtual “endless shelf” of vices. And that boring friend of yours expects you to read his lame blog posts (guilty as charged).

But every once in a while, there’s a glimmer of hope in the sea of sewage. Sometimes two glimmers.

Glimmer #1

A 16-year-old girl from North Carolina who was missing for days was rescued from “unlawful imprisonment” in a car driven by a 61-year-old man. The car was pulled over by police in Kentucky because someone in the car behind had recognized the girl’s hand gestures as a signal that she needed help, and called 911. The 16-year-old who used the hand signal and the person in the other car who recognized the gesture had both learned it from… of all places… TikTok.

The hand gestures used by the teen have been popularized on TikTok and “represent violence at home – I need help – domestic violence,” the sheriff’s office said. A witness in a car driving behind Brick’s Toyota called 911 upon recognizing the hand signals and told dispatchers the teen appeared to be in “distress.” 

from this article on Cincinnati.com

You can read more here. And you can learn the “violence at home – send help” hand signal, created by the Canadian Women’s Foundation, here:

Glimmer #2

For a glimmer that’s a bit lighter, please welcome The Mountain Goats to the stage.

They too went viral on TikTok, when a short snippet of one of their songs, “No Children” — which was released nearly 20 years ago — was used in dozens of videos on the platform.

In most of the viral videos made with the song as soundtrack, users do a brief bit of choreography that illustrates the divorcing couple in the song drowning. Or, in many cases, they use their cats to simulate the narrator sinking into the ocean. Something about the sheer, extreme bitterness of the sentiments therein has grabbed younger generations who are clinging to its only partially tongue-in-cheek anger and despair as if it were their own.

from this article in Variety

This Variety interview with Mountain Goats lead singer John Darnielle is great, because he appreciates the serendipity of it all.

“No Children” had just been sitting there since 2002. When I say it’s just been sitting there… it’s been one of our most popular songs in our catalog. But the Mountain Goats are, I always say, sort of a boutique concern. We’re not for everybody. My voice can be a deal breaker. We’re never reaching for the brass ring. We made literary rock. [Laughs.] But when people do find it, it affirms for those of us who make indie music that when the broader public is exposed to it, there’s more people who would like it if they get a chance to hear it. The consolidation of radio and the diffuse nature of the media landscape means that there’s lots of good stuff that people don’t generally hear unless it gets a viral moment.

Mountain Goats lead singer/songwriter John Darnielle in the Variety interview linked above.

I love the Mountain Goats (so does Stephen Colbert…check out the clip at the end of this post). I also love it when the interwebs goes viral in a good way.

That’s what’s fun about this: nobody on my side tried to do this at all. Because the internet could be fun. We know it’s kind of a train wreck because of algorithmic recommendations and a number of other things that have made it pretty problematic, but the fun of something like this is really when listeners show you that they’re engaged, that they have another way of listening, and will tell you what your song did for them, even if it’s a 15-second piece of the song. That’s fun and cool. 

John Darnielle, in the Variety interview

Pigs in Space

I’m really torn about the recent spate of billionaire rocket rides.

I do think there’s a need for space exploration.

But it feels like it’s turned into a “willie waving contest” as a Brit former co-worker put it. It’s about ego, and conquest… and commerce. (Get your tickets now!)

Our space icons are now the powerful owners of private companies, who have infused space travel with their own personal narratives and idiosyncratic ambitions. During the Apollo era, the most visible participants in the moon effort were the astronauts—Neil Armstrong, Buzz Aldrin, Michael Collins—men who were certainly venerated but who approached their task with the duty of soldiers. At this moment, the most visible participants are eccentric billionaires having rocket-measuring contests in public.

Marina Koren, in this article in The Atlantic

They’ve certainly got the cash to burn. Perversely, the pandemic was like a booster rocket for their personal fortunes:

But it seems like such a waste of resources. I know some will counter that we have to look at the bigger picture, and that the know-how needed to put those flights into space will benefit all of us down the line.

But I don’t know how willing these titans of industry will be to share the secrets of their interstellar success. They’re more likely to try to corner the Milky Way market.

I’m actually aligned with another rich guy:

We need some of the world’s greatest brains and minds fixed on trying to repair this planet, not trying to find the next place to go and live.

Prince William, the Duke of Cambridge

Can’t Musk, Bezos and Branson focus their billions on the 8 billion people on the single planet we all share, instead of taking Captain Kirk on a joy ride?

Dave Whamond | Copyright 2021 Cagle Cartoons

The “moon shot” we all need is a bit more down-to-earth.

Find Your Own Rhythm

Charlie Watts passed away Tuesday, at the age of 80. For nearly 59 years, he was the drummer for the Rolling Stones… “the greatest rock and roll band in the world” according to none other than Bob Dylan.

On stage, while Mick was strutting around like a peacock and Keith was firing off those classic guitar riffs — usually while a cigarette dangled from his mouth — Charlie was the quiet guy in the back, just doing his job, keeping time.

Off stage, while Mick was hanging out with Andy Warhol at Studio 54, and impregnating Brazilian models… while Keith was ingesting every drug under the sun, Charlie was hanging out with his wife Shirley. They got married in 1964 and remained married until the day he died.

Picture: Getty/ SWNS

In Robert Greenfield’s STP: A Journey Through America with The Rolling Stones, a documentary of their 1972 American Tour, it is noted that when the group was invited to the Playboy Mansion, Watts took advantage of Hugh Hefner’s game room instead of frolicking with the women.

From this article about Charlie Watts in the Independent

Rock and roll drummers are supposed to be the crazy ones. Keith Moon of The Who practically invented the port of trashing hotel rooms. John “Bonzo” Bonham played 20 minute drum solos during Led Zeppelin concerts, and rode a motorcycle through the lobby of a Hollywood hotel. Actually, he rode one through the lobby of three different hotels.

(It’s also worth noting that Keith Moon died of a drug overdose at age 32, and John Bonham also was 32 when he drank so heavily (the equivalent of 40 shots of vodka in a 24-hour period) that he choked on his own vomit and died.)

At some point in our lives, most of us want to be the rock star or the the guitar hero. But maybe it’s better to be in the background, keep a steady rhythm, and stay true to the beat of your own heart.

Thunder Island is in Scranton!

I’m drawn to music trivia like moths to a flame. My puny brain cannot retain any useful information, but it does know that Jim Peterik of Survivor (the “Eye of the Tiger” folks) also wrote and sang “Vehicle” by The Ides of March.

However, one juicy nugget of music trivia had escaped me until this week: The theme music for the American version of “The Office” was composed by one James Ferguson. I know him better as Jay Ferguson. Yes, the dude who was a one-hit wonder with “Thunder Island” back in 1978.

Joe Walsh played guitar on the tune, btw. He was a Kent State classmate of the members of Devo. And Jay Ferguson was in the band Spirit. But I digress.

How did I miss that? I mean, who doesn’t love “Thunder Island”? And that album cover is pure 70s yacht rock gold:

The hair, the unbuttoned shirt… the mandals!

A quick search of the google machine reveals that James (a.k.a. Jay) Ferguson has carved out a nice little niche doing music for Hollywood:

His resumé is rather impressive since he has worked on music for episodes of shows such as NCIS: Los Angeles, Women’s Murder Club, Tales From The Crypt, Going To Extremes, Melrose Place, and Eerie, Indiana. Ferguson has also composed music for popular films as well. Throughout his career, he has worked on music for The Terminator, Charlie’s Angels: Full Throttle, and This Is 40.

From this article about The Office theme song
The “Thunder Island”/”The Office” connection should be enough to satisfy my music trivia fix. But Jon Wurster (drummer for Superchunk… and the Mountain Goats… and Bob Mould) sent me even further down the rabbit hole with this little post on Instagram:

Sooooo, not only does Jay Ferguson have a hit single in the 70s and a hit TV theme song from the 2000s… but the Rolling Stones sorta/kinda ripped him off.

I’ll have to make room in my puny brain for this… guess I’ll have to forget my wedding anniversary to clear some space.

The Write Stuff

Douglas Adams, author of The Hitchhiker’s Guide to the Galaxy, had to psyche himself up about writing .

“Writing isn’t so bad really when you get through the worry. Forget about the worry, just press on. Don’t be embarrassed about the bad bits. Don’t strain at them… Writing can be good. You attack it, don’t let it attack you. You can get pleasure out of it. You can certainly do very well for yourself with it!”

Douglas Adams

It’s great advice for any writer. This blog may be 99% “bad bits” but still we press on.

The note above and other Douglas Adams archival content will be published in a forthcoming book called 42. Read more in this article from The Guardian.

Don’t Peel Back The Onion

March Madness begins in earnest today. I took the day off from work to turn on (multiple TVs), tune in (CBS, TNT, TruTV and TBS) and drop out (of the Bracket Challenge).

It’s always fun to watch the games. But try not to think about how the players – who are the “content” for the $900 million that the NCAA will rake in during the tourney – aren’t getting a nickel.

According to the reports coming out of the Indianapolis area this week, players are being fed fast food, given free deodorant as a perk, provided with puzzles in the rooms they must isolate, and, on occasion, being given warm breakfast foods that have long since gone cold and no utensils to eat that with. In essence, college age kids are being shut in a hotel and given conditions that would make the average middle aged traveler lodge an endless series of complaints and demands to talk to the manager.

From this post on Banners on the Parkway

“It’s become clear to even the biggest NCAA apologist that we are playing this tournament primarily to deliver content to media rights partners,” said ESPN’s Jay Bilas, a former Duke player. “That’s what this season was about.“

Source: Indianapolis Star article

Enjoy the “redemption” story of Rick Pitino, who has taken his fifth team to the tournament. Pay no attention to the facts about why he left his previous coaching gig at the University of Louisville.

In June 2017, the NCAA suspended Pitino for five games of the 2017–18 season for his lack of oversight in an escort sex scandal at the University of Louisville involving recruits. Louisville’s national championship from 2013 was eventually vacated as well. In September, Pitino was implicated in a federal investigation involving bribes to recruits, which resulted in Louisville firing him for cause.

Wikipedia

Watch #8 seed LSU take to the court tomorrow afternoon, led by guard Ja’Vonte Smart. Don’t think about how LSU Head Coach Will Wade was recorded on a wiretap, talking about making payments to Smart.

I was thinking last night on this Smart thing,” Wade said. “I’ll be honest with you, I’m [expletive] tired of dealing with the thing. Like I’m just [expletive] sick of dealing with the [expletive]. Like, this should not be that [expletive] complicated.”

ESPN had reported Dawkins had at least three calls with a number belong to Wade between June 19, 2017, and June 30, 2017. Smart announced his commitment on June 30.

“Dude. I went to him with a [expletive] strong-ass offer about a month ago. [Expletive] strong,” he said. “The problem was, I know why he didn’t take it now, it was [expletive] tilted toward the family a little bit. It was tilted toward taking care of the mom, taking care of the kid. Like it was tilted towards that. Now I know for a fact he didn’t explain everything to the mom. I know now, he didn’t get enough of the piece of the pie in the deal.”

Source

Enjoy the games. But don’t peel back too many layers of the NCAA onion, because it’ll make you cry.