A standing Ovation for great art

My friend Keith Neltner was featured in yesterday’s Cincinnati Enquirer. The online version of the article is here. He created the artwork for a mural that will be in the green room of PromoWest Pavilion at Ovation, a new music venue in Northern Kentucky. Now he and his friends are bringing the mural to life.

L to R: Nathan Dye, Stacey Vallerie Meyer, Chris Dye, Keith Neltner Photo credit: Kyle Eli Ebersole

The artwork pays tribute to three local musicians who first rose to fame via their work on the King Records label, which was based in Cincinnati. Philip Paul was a session drummer. Otis Williams was a doo-wop artist. Bootsy Collins got his start playing with James Brown, and is widely regarded as one of the best bass players in this or any universe.

Bootsy Collins, Philip Paul and Otis Williams Photo credit: Sam Greene/The Cincinnati Enquirer

“So many people were influenced by the music that these guys created, and they have no idea that there’s a vacant building on Brewster where it all happened.”

Keith Neltner, in the Cincinnati Enquirer article linked above

The fact that they are Black musicians is significant, because that’s a big part of the King Records legacy. In King Records’ heyday in the 50s and 60s, King had an integrated workforce – not just the recording artists on the label, but also the session musicians, the A&R folks, the engineers, the workers at the pressing plant, the office staff.

This M.O. of King Records owner Syd Nathan was driven less by noble intentions and more by capitalism: he didn’t see black and white, he only saw the color of money. But to his enduring credit, he created a mini-meritocracy and a bastion of diversity in an era when most were blinded by prejudice, and helped launch the careers of performers from marginalized communities – both African-American and “hillbilly.”

Sidebar: Check out the book King of the Queen City by John Hartley Fox for the full story about King Records, one of the most important, successful and influential record companies in the history of modern music, and one whose role is often overlooked.

I’m sure the mural artwork is fantastic (I’ve written about Keith Nelter’s artistic genius before – it’s on full display on his website.) And it’s great that it will drop some King Records knowledge on the touring artists who play the venue.

“King Records was a big deal back in the day. It’s going to be a great thing when artists come to town and they can learn about King Records.”

Scott Stienecker of PromoWest, as quoted in the Cincinnati Enquirer article about the mural

But because the mural is in the green room of a music venue that will hold 2,700 indoor fans, or 7,000 outdoors, the only way I’ll get to fully appreciate it is if I join a successful rock band… or become a groupie!

The Paris of the Midwest (according to a Mighty Duck)

Emilio Estevez is living in Cincinnati… and loving it!

THE BREAKFAST CLUB, Emilio Estevez, 1985, (c) Universal Pictures

In a recent interview in Vanity Fair, here’s what he had to say about my adopted hometown:

That’s mighty high praise from Mr. Mighty Ducks. We’ll take it. We’ll also take the #11 slot in the Travel + Leisure list of The 50 Best Places to Travel in 2021. Here’s what they have to say about Cincy:

The first clues that the Queen City — a Rust Belt capital that was hard hit by the decline of American manufacturing — was poised for a comeback started a few years ago, when tech startups and small businesses moved into disused Over-the-Rhine warehouses, filmmakers flocked in to take advantage of tax breaks and early-20th-century architecture, and historic spaces like the city’s Music Hall got a much-needed polish. Now, the urban revival is official — but sneak in a 2021 visit and you can still claim to be a trendsetter. Check into the Kinley, which opened its doors in downtown Cincy in October with a much-buzzed-about restaurant from chefs Kevin Ashworth and Edward Lee. While you’re in town, dine at restaurant standouts Please and Goose & Elder, explore new outdoor installations at the Cincinnati Art Museum, and pay a visit the lauded Cincinnati Zoo, whose animal dispatches on social media are the only reasonable justification for keeping your Twitter account. —Lila Battis

#1 in the Estevez Index, and #11 for Travel… not too shabby. Better watch your back, real Paris!

Step into my office

I’m know I’m one of the lucky ones – I managed to remain gainfully employed during the pandemic (much to the astonishment of my co-workers). And I’m luckier still to be able to work from home. But after a full year of toiling away in my basement, it was time for a change of scenery.

Yes, Peter Brady taught all of us that when it’s time to change, you’ve got to rearrange. And I went for a major change of venue. Now that Spring has sprung and the weather is warmer, I’ve set up camp on an outdoor, second floor deck at our house. It’s covered, so rain isn’t an issue.

Far left: watchdog. Left screen: a picture of my blog on my blog (it’s very Escher). Right screen: trying to add to my collection of George “Goober” Lindsey memorabilia.

It’s amazing what a difference it makes being surrounded by nature. Watching the peach tree blossoms come in. Checking out the birds as they chow down on the bird seed that my wife puts in the feeders… and watching those sneaky squirrels always manage to get into the feeders, so matter how “squirrel-proof” they claim to be.

I even enjoy listening to my neighbors chickens. (Yep, she’s got about 12 hens… makes me feel like I’m back in rural Arkansas.)

According to the eyeball experts, one of the best ways to prevent digital eyestrain is the 20-20-20 rule: every 20 minutes, look at an object at least 20 feet away for at least 20 seconds. That was really tough to do when I was stuck starting a a basement wall. It’s super-easy to do now. And the fresh air is working wonders for my brain. I’m no longer a half-wit, I’m now easily a 55% wit.

Even when I’m in, I’m out.

Now if only I could get the solar panels on our roof to power my laptop…

Finding the Beauty

It’s easier to feel positive, to feel optimistic, now that Spring has arrived.

But even in our darkest hours, the beauty of the world has always been there, as these two short audio clips from recording artists remind us.

Here’s Valerie June from the Broken Record podcast:

“Just being here on earth and the magic of us being here… this stuff is really a gift.”

And here’s Kelli Scarr on NPR’s All Songs Considered talking about the inspiration for her new song “Eve of Spring”

“In this historic period of loss and reflection, Spring arrives as a reminder that renewal is always available to us.”

Here’s Kelli Scarr’s song:

And here’s the entire Broken Record podcast episode featuring Valerie June talking about her new album The Moon And Stars: Prescriptions For Dreamers:

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Don’t Peel Back The Onion

March Madness begins in earnest today. I took the day off from work to turn on (multiple TVs), tune in (CBS, TNT, TruTV and TBS) and drop out (of the Bracket Challenge).

It’s always fun to watch the games. But try not to think about how the players – who are the “content” for the $900 million that the NCAA will rake in during the tourney – aren’t getting a nickel.

According to the reports coming out of the Indianapolis area this week, players are being fed fast food, given free deodorant as a perk, provided with puzzles in the rooms they must isolate, and, on occasion, being given warm breakfast foods that have long since gone cold and no utensils to eat that with. In essence, college age kids are being shut in a hotel and given conditions that would make the average middle aged traveler lodge an endless series of complaints and demands to talk to the manager.

From this post on Banners on the Parkway

“It’s become clear to even the biggest NCAA apologist that we are playing this tournament primarily to deliver content to media rights partners,” said ESPN’s Jay Bilas, a former Duke player. “That’s what this season was about.“

Source: Indianapolis Star article

Enjoy the “redemption” story of Rick Pitino, who has taken his fifth team to the tournament. Pay no attention to the facts about why he left his previous coaching gig at the University of Louisville.

In June 2017, the NCAA suspended Pitino for five games of the 2017–18 season for his lack of oversight in an escort sex scandal at the University of Louisville involving recruits. Louisville’s national championship from 2013 was eventually vacated as well. In September, Pitino was implicated in a federal investigation involving bribes to recruits, which resulted in Louisville firing him for cause.

Wikipedia

Watch #8 seed LSU take to the court tomorrow afternoon, led by guard Ja’Vonte Smart. Don’t think about how LSU Head Coach Will Wade was recorded on a wiretap, talking about making payments to Smart.

I was thinking last night on this Smart thing,” Wade said. “I’ll be honest with you, I’m [expletive] tired of dealing with the thing. Like I’m just [expletive] sick of dealing with the [expletive]. Like, this should not be that [expletive] complicated.”

ESPN had reported Dawkins had at least three calls with a number belong to Wade between June 19, 2017, and June 30, 2017. Smart announced his commitment on June 30.

“Dude. I went to him with a [expletive] strong-ass offer about a month ago. [Expletive] strong,” he said. “The problem was, I know why he didn’t take it now, it was [expletive] tilted toward the family a little bit. It was tilted toward taking care of the mom, taking care of the kid. Like it was tilted towards that. Now I know for a fact he didn’t explain everything to the mom. I know now, he didn’t get enough of the piece of the pie in the deal.”

Source

Enjoy the games. But don’t peel back too many layers of the NCAA onion, because it’ll make you cry.