A pickleball pal had free tickets, and I’d never seen KISS live, so I figured “why not?” Besides, this is billed as their final tour (although we’ve heard that from them before).
The show was at Cincinnati’s Riverfront Coliseum, a venue that’s seen better days. The same could be said for KISS. I think the last time I was in that arena, it about a decade ago, when I took my sons to see pro wrasslin’.
KISS has a lot in common with the WWE – both are heavy on showmanship. The concert featured (in no particular order): Flames. Fireworks. 40-foot inflatables of the band members. Smoke machines. Confetti cannons. Fake blood. Floating platforms. Paul Stanley gliding on a wire across the arena — Peter-Pan-like — to get to a smaller stage. Gene Simmons in a crane bucket that swung out over the crowd.
I went with my buddy Joe, and as he said after the show, it was completely over-the-top… and that’s exactly what we expected from Gene Simmons, Paul Stanley and friends (Tommy Thayer and Eric Singer served as decent subs for Ace Frehley and Peter Criss from the original lineup).
Here’s the thing though: Gene Simmons is 74. Paul Stanley is 71. They’ve been in this band for fifty years! And they’re still out there playing a two-hour set… wearing those giant super-soled boots… and getting in platforms that take them 40 feet above the stage, and, in Paul’s case, zooming through the air while hanging onto a trapeze contraption. While most folks their age are wearing sensible shoes and ordering the early-bird special at Denny’s, they’re rocking and rolling all night (but probably taking a nap every day). More power (and pyro) to ’em!
This may come as a surprise to you, Dear Reader (singular), but I’m not exactly a font of knowledge about the Middle East. In fact, my knowledge wouldn’t even fill a thimble.
This also may come as a surprise to you, Dear Reader (still singular… tell a friend about this blog), but I DO know how to read. And I’ve been trying to expand my knowledge of the Middle East conflict, and its history. (I’ve upgraded from thimble to shot glass… and now I need a shot to calm my nerves.)
I found this piece by David Klion and this one from Suzanne Schneider to be quite enlightening. Klion talks about the current Israeli-Palestinian situation and its parallels with 9/11, when America’s blind thirst for “vengeance” led to more senseless suffering.
Suzanne Schneider’s essay is extremely powerful – especially the final two paragraphs:
Nicholas Kristof’s headline from Saturday’s New York Times sums it up:
This probably won’t come as a surprise to you, Dear Reader (still singular… c’mon, just use the “share” link), but I really like music. And I keep replaying a song in my head – a track called “Background Noise” from Irish folk singer Luka Bloom that came out in 1994. Luka was writing about “The Troubles” in Ireland, but the sentiment is universal – and sadly just as applicable today:
You hear the cries of the different sides The bullet hits again Take a look in anybody’s eyes Our tears are all the same Our tears are all the same…
What the hell do I know – Crying out for love What the hell can I do – Crying out for love When every single child needs To hear the voice of love We all need a new speech – The words of love
Back in my college days, if we needed someone to get swung around like a helicopter blade during a party, Ned was there.
If we needed someone to dress up like an elf, Ned was there.
Getting handcuffed to a loft? Ned was there.
Beer bongs? Ned was there.
For all of our Spring break adventures, Ned was there.
If we needed someone to man the grill, Ned was there.
At all those parties — in the dorm rooms, in the quad, and at the bars — Ned was there.
Whenever you needed a friend, Ned was there.
After college, when some folks from our gang got married, Ned was there.
At all the memorable moments over the past 40 years , Ned was there. Always.
Then, this past Monday, out of the blue, Ned was no longer there.
Suddenly — You were gone From all the lives You left your mark upon
Ned had a stroke back in May of 2020 – it caused all sorts of health complications. But his departure still came as a shock. Now he’s in another “there” and we’re still here.
Tried to believe But you know it’s no good This is something That just can’t be understood
Every one of us has a special place in our heart for the guy who was good-natured, sweet, kind, caring, smart, attentive, funny… and always up for a good time. Ned is still there. He always will be.
Barbie: role model for girls, fun to play with, brought joy to many.
I’m not talking about the Mattel toy, or the Hollywood blockbuster. I’m talking about Barb O’Brien. A couple of years ago, I didn’t even know who she was. But thanks to the esprit de corps that pickleball engenders among “the regulars” at any particular set of courts, I got to know Barb (a.k.a. “Barbie”). And to know Barb was to love her. How could you not admire someone who was battling cancer but still kicking butt on the courts… and doing it all with a positivity that was absolutely infectious.
Age and ailments slowed her down, but they never kept her away from the courts for too long until recently. To say Barb “lost” her battle to cancer would be wrong – she left the courts (and this world) with her head held high and a smile on her face.
I knew Barb was a tennis star in her youth, but it wasn’t until I read her obit that I realized what a trailblazer she was:
Barb was a fierce competitor, earning a spot on the Withrow High School Boys Varsity Tennis team in 1972, prior to Title IX and dedicated womens teams. Barb went on to attend the University of Cincinnati where she played tennis, achieving a ranking of #2 in the state of Ohio.
Barb was a greeter, a welcomer, an ambassador, and a connector. She was a grinder, a laugher, and a lover of the game. She made an indelible impact on me and many others. She not only helped create other lovers of the game, but other ambassadors, connectors, and welcomers. They are all Barb’s legacy, and they are all longing for the old days.
Mitch Dunn in his Medium post linked above
Barb’s friend Sue posted the news of Barb’s passing on the group chat for the Clear Creek pickleball crew. Dozens of people posted notes like these:
Barb’s daughter Marci joined the chat via Barb’s account:
Barbie Summer is over. But Barb’s influence will go on for years.
A week ago, I saw the best concert of the year. And Taylor Swift was nowhere to be found.
Don’t get me wrong, I’m not a Taylor hater. Far from it. I have a ton of respect for anyone who writes their own songs.
But I saw a terrific band from New Zealand called The Beths at a small club in Cincinnati, and they hit all the right notes, literally and figuratively.
During the show, I just savored the sights and sounds. But after the fact, I tried to analyze why I liked the gig so much. And I came up with a few items on my concert checklist:
Great songs – it’s about the music, first and foremost. Lead singer/songwriter Elizabeth Stokes writes songs with hooks that are catchy and lyrics that are profound.
Live, not Memorex – The Beths are a four-piece band, and they play their own instruments, live, without backing tracks. I know a lot of bands are using pre-recorded tracks these days… but I don’t go to a show to hear studio recordings. Elizabeth Stokes has a great voice, and plays guitar as well. Guitarist Jonathan Pearce, bassist Benjamin Sinclair, and drummer Tristan Deck also sang backing vocals, which added greatly to the overall sound of the songs.
Setlist – The songs matter, but so does the sequencing, and the mix of “classics” to new songs. The Beths have released three great albums, without a bad song in the bunch, so they were working from strength, but their set featured really strong songs from each of the albums, with a nice mix of singalong anthems and quiet ballads. (You can listen to the songs from the set at setlist.fm.)
Sound system – All three of the above can be ruined by a bad sound mix. The Beths played The Woodward Theater and the sound was stellar, and the sound engineer kept the volume at a reasonable level. (If I had a nickel for every band I’ve seen where the sound engineer had the mix WAAAY TOO LOUD, I’d be able to afford better earplugs.)
Energetic band – The Beths were having fun on stage, and that can be contagious. A running gag was them shouting “O-H” and waiting for the crowd to reply “I-O!” (It’s an Ohio State thing – The Beths made no bones about the fact that they had no idea what the cheer was about, but someone had told them to do it at Ohio concerts.)
Enthusiastic audience – the folks at the show weren’t casual fans. That’s the beauty of being an up-and-coming band – the people who like you are dedicated, and are there because they like your music, not because your lead singer is on a Disney show or TikTok.
Intimate venue – all other things being equal, being able to get close to the stage at a club is so much better than an arena show with giant barriers between you and the performers.
There you have it, my Sonic Seven ingredients for a tasty gig. Not that you asked.
This KEXP live in-studio performance gives you a taste of what The Beths are like in a live setting.
This stripped-down set highlights the brilliant songwriting.
And here’s the title track from their brilliant new album:
Kevin Sullivan on Life advice from a man who lived it: “A good one Damian. Bring our lens into focus after the long weekend or our long life journey.” Jul 7, 09:38
You done said…