My “listening room” is the Little Miami River. I paddle downstream and listen to some new tunes on a $20 waterproof speaker that attaches to my kayak via a suction cup — with a carabiner clip as a backup.
The river is peaceful, and it’s a great place to really focus on the lyrics. This past weekend, I put my ears on a couple of albums that hit the high water mark (see what we did there?) for eloquence and poignance.
James McMurtry’s new release The Horses and the Hounds is brilliant from start to finish. James is the son of novelist Larry McMurtry, and clearly the apple didn’t fall too far from the storytelling tree. Check out “Canola Fields” or “Operation Never Mind” or “Ft. Walton Wake-Up Call” for fine examples of a good yarn.
Next up on my not-so-rockin’ river excursion was Home Video, the third album from 26-year-old singer/songwriter Lucy Dacus. She really knows how to capture a sense of time and place with her attention to detail and her emotionally moving lyrics. Listen to “VBS” or “Thumbs” or “Brando” and try not to get goose bumps.
Yes, sometimes I don’t play any music and enjoy the natural symphony. But when I want to spend some quality time with an album, the river is my favorite spot for streaming (see what we did there?).
Charlie Watts passed away Tuesday, at the age of 80. For nearly 59 years, he was the drummer for the Rolling Stones… “the greatest rock and roll band in the world” according to none other than Bob Dylan.
On stage, while Mick was strutting around like a peacock and Keith was firing off those classic guitar riffs — usually while a cigarette dangled from his mouth — Charlie was the quiet guy in the back, just doing his job, keeping time.
Off stage, while Mick was hanging out with Andy Warhol at Studio 54, and impregnating Brazilian models… while Keith was ingesting every drug under the sun, Charlie was hanging out with his wife Shirley. They got married in 1964 and remained married until the day he died.
Picture: Getty/ SWNS
In Robert Greenfield’s STP: A Journey Through America with The Rolling Stones, a documentary of their 1972 American Tour, it is noted that when the group was invited to the Playboy Mansion, Watts took advantage of Hugh Hefner’s game room instead of frolicking with the women.
From this article about Charlie Watts in the Independent
Rock and roll drummers are supposed to be the crazy ones. Keith Moon of The Who practically invented the port of trashing hotel rooms. John “Bonzo” Bonham played 20 minute drum solos during Led Zeppelin concerts, and rode a motorcycle through the lobby of a Hollywood hotel. Actually, he rode one through the lobby of three different hotels.
(It’s also worth noting that Keith Moon died of a drug overdose at age 32, and John Bonham also was 32 when he drank so heavily (the equivalent of 40 shots of vodka in a 24-hour period) that he choked on his own vomit and died.)
At some point in our lives, most of us want to be the rock star or the the guitar hero. But maybe it’s better to be in the background, keep a steady rhythm, and stay true to the beat of your own heart.
I’m drawn to music trivia like moths to a flame. My puny brain cannot retain any useful information, but it does know that Jim Peterik of Survivor (the “Eye of the Tiger” folks) also wrote and sang “Vehicle” by The Ides of March.
However, one juicy nugget of music trivia had escaped me until this week: The theme music for the American version of “The Office” was composed by one James Ferguson. I know him better as Jay Ferguson. Yes, the dude who was a one-hit wonder with “Thunder Island” back in 1978.
Joe Walsh played guitar on the tune, btw. He was a Kent State classmate of the members of Devo. And Jay Ferguson was in the band Spirit. But I digress.
How did I miss that? I mean, who doesn’t love “Thunder Island”? And that album cover is pure 70s yacht rock gold:
The hair, the unbuttoned shirt… the mandals!
A quick search of the google machine reveals that James (a.k.a. Jay) Ferguson has carved out a nice little niche doing music for Hollywood:
His resumé is rather impressive since he has worked on music for episodes of shows such as NCIS: Los Angeles, Women’s Murder Club, Tales From The Crypt, Going To Extremes, Melrose Place, and Eerie, Indiana. Ferguson has also composed music for popular films as well. Throughout his career, he has worked on music for The Terminator, Charlie’s Angels: Full Throttle, and This Is 40.
The “Thunder Island”/”The Office” connection should be enough to satisfy my music trivia fix. But Jon Wurster (drummer for Superchunk… and the Mountain Goats… and Bob Mould) sent me even further down the rabbit hole with this little post on Instagram:
Sooooo, not only does Jay Ferguson have a hit single in the 70s and a hit TV theme song from the 2000s… but the Rolling Stones sorta/kinda ripped him off.
I’ll have to make room in my puny brain for this… guess I’ll have to forget my wedding anniversary to clear some space.
The Public Library of Cincinnati and Hamilton County have partnered with Dean Regas, an astronomer with the Cincinnati Observatory, to offer telescopes for free to library patrons.
The library has five Orion StarBlast 4.5-inch astronomical telescopes available for checkout at branches around the city. Each telescope can be reserved for 21 days, and comes with two eye pieces, an Orion EZ Finder II Reflex Sight, a star chart and two of Regas’ books—”100 Things to See in the Night Sky” and “Facts from Space!”— to guide viewers through their star-viewing experience.
I think it’s really cool that the library is doing this. Most kids — and adults — spend way too much time with their heads down, staring at their phones. Looking up can reveal whole new worlds – literally and figuratively.
Speaking of telescopes, one plays a prominent role in an excellent short story by John Young, who lives in Cincinnati.
From John Young’s “A Membrook Man”
The story appears in his book Fire in the Field and Other Stories, which is a collection of 16 of his short stories, all of which are thoroughly engaging. Highly recommended – check it out… and maybe check out a telescope while you’re at it.
Singer-songwriter Nanci Griffith passed away Friday at the age of 68. Not only did she write some amazing, and amazingly literate songs — like four minute novels — she also had the voice of an angel. Her singing and writing skills would be enough for most, but she also was a brilliant interpreter of other folk’s songs… the best proof is her Grammy-winning Other Voices Other Rooms album from 1993 where she covered such luminaries as Woody Guthrie, Bob Dylan, Townes Van Zandt and John Prine… and did their songs justice. It’s also worth noting that she was the person to record Julie Gold’s “From a Distance”… a more bombastic (and inferior, IMHO) version became a big hit for Bette Midler years later.
That pattern of other folks having bigger hits with the same songs was part of Nanci’s lot in life. Kathy Mattea covered “Love at the Five and Dime” and Suzy Bogguss hit the country Top 10 with Nanci’s “Outbound Plane.” She was too folk for country, and too country for folk.
She told Rolling Stone in 1993 that “the radio person at MCA Nashville told me that I would never be on radio because my voice hurt people’s ears.”
Her live ’88 album One Fair Summer Evening was my gateway to the magical stories that Nanci could weave. I was working at a commercial country music station at the time, and the album was in the throwaway pile. If you ask me, it would’ve been better to take 99% of the stuff the station was playing and throw it away, and play that album on repeat.
She didn’t shy away from social commentary either. Check out “Trouble in the Fields” or “It’s a Hard Life Wherever You Go” or “Deadwood, South Dakota” (videos below).
A brilliant songwriter in her own right, she was always willing to shine a light on others. I saw her in concert a handful of times, and if she covered someone else’s music, she was sure to credit them and promote them. Other songwriters loved her as well.
She was then afforded the special compliment of being asked by Bob Dylan to perform his “Boots Of Spanish Leather,” which she’d recorded on Other Voices, Other Rooms, at his anniversary concert at Madison Square Garden in 1992.
Nanci was basically retired from music – her last album came out in 2012. But her influence is still strong. R.I.P. Nanci Griffith – folks like you come along only once in a very blue moon.
Kevin Sullivan on Life advice from a man who lived it: “A good one Damian. Bring our lens into focus after the long weekend or our long life journey.” Jul 7, 09:38
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Thomas Kuhl on We’re alive, because nothing happened.: “This simply explains why we should celebrate every day our feet hit the floor. Another day to enjoy and share…” Jun 25, 04:31
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