Chris Mack left his job as Xavier’s men’s basketball coach a couple of seasons ago, to take over as head coach at Louisville. Many Xavier fans still hold a grudge. I never did, as noted in this blog post of mine.
His tweet a couple of days ago is well worth sharing.
“…how lucky we are to breathe, how lucky we are to have problems, how lucky we are to have one another….”
It’s worth noting that Chris Mack played and was an assistant coach under the tutelage of Skip Prosser, at Xavier and Wake Forest. Skip knew that life was about more than sports (as noted in this blog post).
“Coaching isn’t wins and losses,” Prosser said. “It’s teaching. That’s the reason I got into coaching and the reason I’ve stayed in coaching. I hope that I remain in the business of education.”
Like Kobe Bryant, Skip Prosser left this world too soon, dying of a heart attack in 2007. It’s clear from Chris Mack’s Twitter post that Skip’s life lessons live on.
He used to say, ‘Never delay gratitude.’ That was one of his favorite sayings.
I’m going to dial that number, just to see who answers. Sure, I’d be happy to chat about access with this friendly fella:
But I’d be more excited if the person who answers is the ORIGINAL “Mr. T” from 1976 TV show Mr. T and Tina:
Yes, that’s Pat Morita, who left his role as Arnold on Happy Days to star in a sitcom created by James Komack, who had a few hits under his belt with The Courtship of Eddie’s Father, Chico & The Man and Welcome Back, Kotter.
Here’s the Wikipedia synopsis:
Pat Morita starred as Taro Takahashi, a widowed Japanese inventor who is sent with his family (an uncle and sister-in-law) from Tokyo to set up the Chicago branch of his employer, Moyati Industries. He hires scatterbrained and free-spirited American Tina Kelly (Susan Blanchard) as the live-in governess for his children, Sachi (June Angela) and Aki (Gene Profanato).[3]
Mr. T.’s inventions included underpants with a built-in transistor radio and the “flash in the can”, a coin-operated sunlamp in a restroom.[4]
They had me at “underpants with a built-in transistor radio”…
You might be shocked to discover the show didn’t make it. Even with a great lead-in show:
And a great follow-up show in the lineup.
Not only that, but Mr. T and Tina had a pre-Love Boat Ted Lange in the cast as ” hipster Harvard the Handyman”…
They wound up shooting a mere 9 episodes, and only 5 made it to the air before the plug was pulled.
Plots for the few shows produced focused on Mr T’s inventions and the unintentional Americanisation of the Takahashi children at the hands of Tina, who taught them words and phrases such as “cool,” “the pits,” and “neato,” much to Mr T’s chagrin.
This is devastating news to music nerds and nerdy musicians everywhere. Neil Peart, the drummer for Rush, passed away this week. He redefined rock drumming, but he didn’t let drumming define him. A voracious reader, an author of seven books, an avid cyclist and motorcyclist, a lifelong learner… just an all-around interesting dude. Check out his website for more of his musings.
“The Professor”… photo from NeilPeart.net
The first concert I ever saw was in 1982: Rush at Barton Coliseum in Little Rock, Arkansas. The band I’ve seen in concert more than any other band? Rush! They absolutely crushed it live for 40+ years.
Despite an iconoclastic nature, Peart found musical, and personal, brotherhood with bassist/vocalist Geddy Lee and guitarist Alex Lifeson. The trio’s bond came alive during performances, which were immersive musical marathons that doubled as communal, spiritual experiences. Shows — of course — featured an extended Peart drum solo, performed with the precision of a surgeon and the creative freedom of a surrealist. But while highly technical, Peart’s playing was always joyous: As any Rush fan will share, air-drumming to 1981’s “Tom Sawyer” can be one of life’s greatest pleasures.
Neil wasn’t just the best rock drummer ever, he also was Rush’s lyricist. Lots of obituaries for him are latching onto the Ayn Rand/sci-fi angle. That’s not a complete picture. Yes, Neil did dedicate Rush’s 2112 album “to the genius of Ayn Rand” but he later said that he’d outgrown that influence. And yes, many of Rush’s song lyrics read like science fiction. But tunes like “Losing It” and “Red Sector A” were a nod to Neil’s love of literature and history. Songs like “Entre Nous” and “Afterimage” have nothing to do with dystopian societies, and everything to do with personal connections and the human condition.
While his drumming spoke volumes, he rarely gave interviews, preferring to let his work stand on its own. As a shy high schooler, Neil’s lyrics spoke to me. As a bookish old man, they still speak to me.
“He was in many ways like an outsider — the guy who was often different from everyone else,” Halper says. “But that was okay with him. He didn’t want to be like everyone else. He just wanted to be Neil.”
Rush’s final studio album was a concept album (no shock there… they had a few). The lyrics on the final song “The Garden” are Neil’s parting words to us.
I stumbled across this list-icle a few weeks ago and figured it was worth sharing as we enter 2020. It’s a quick read — a bunch of factoids with good news for the planet we share. One example is below.
Damian on Lost in a Cave: “Spend some time with his answers to fans’ questions on his Red Hand Files. You’ll enjoy it.” May 10, 19:25
impossibly4332b32374 on Lost in a Cave: “BTW, this is Chuck Wiggins…I guess I’m now known as impossibly4332b32374. That moniker has gone with me to a few…” May 10, 15:19
impossibly4332b32374 on Lost in a Cave: “I can resonate with that definition of prayer. I need to dig into him more. I’d love to hear how…” May 10, 15:18
LK on And they’re off!: “I feel this! I did the half with my son (mostly walking/cheating). It will rain as one of the happiest…” May 8, 06:47
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