A Future for “The Future of Rock and Roll”

On this blog, I don’t normally post my music-centric stuff (I have a separate blog for that). But I’m making an exception because I’m pretty darn proud of the fact that my old radio pal Dave and I have done 90+ episodes of a podcast, and that podcast has been the impetus for a full-fledged radio station revival (albeit for a limited, one-week-only engagement). Full press release is at the bottom of this post.

The podcast has been a labor of love. We’ve never sold a nickel’s worth of ads. We’ve never reached an audience beyond a hundred or so loyal listeners. But we’ve brought a lot of joy to those listeners, and that’s worth more than gold.

The fact that a niche format station based in the tiny town of Oxford, Ohio, with a crappy signal, could reach so many, and still be fondly remembered nearly half a century after it started, and more than a decade after it ceased to exist… it’s nothing short of magic.

To be able to pay tribute to the under-the-radar bands and their music, and showcase the DJs from every era of the station’s existence, is truly special.

Article and link to the five-minute interview former Program Director Mike Taylor did with a local public radio station can be found here.

And here’s the official press release that generated the reactions above:

97X, BAM, THE FUTURE OF ROCK AND ROLL RETURNS WITH THE 2023 97X MODERN ROCK 500

(Oxford/Cincinnati, OH) – March 9, 2023 – It’s been 20 years since the legendary Oxford, OH-based alternative radio station WOXY FM, aka “97X, BAM! The Future of Rock and Roll” first left the airwaves. Celebrating what would have been its 40th anniversary, 97X makes its triumphant online return in May 2023 with the 2023 97X Modern Rock 500 countdown.

In partnership with Cincinnati-based streaming station Inhailer Radio, 97X and WOXY.com present the 2023 97X Modern Rock 500, airing May 22 – 29, 2023 on Inhailer Radio, also available on the Inhailer Radio app and WGUC 90.9- HD3 in Cincinnati.

The 2023 Modern Rock 500 will air on Inhailer Radio in five 100-lap segments from May 22-26, 2023, and repeat in the 500’s traditional Memorial Day weekend timeslot from May 27-29, 2023. Plans are in the works for an on-demand archive of the broadcast. 

As a special treat, the broadcast is hosted by over 30 station DJs sharing memories from WOXY’s 40-year run. From its fledgling 80s days to the explosion of the format in the 90s and its time as an online entity in the early 2000s, the 2023 Modern Rock 500 is represented by the people who were there making it happen.

If there was one signature program that became synonymous with 97X, it was the annual Modern Rock 500. Borrowing thematically from the nearby Indianapolis 500 and broadcast over Memorial Day Weekend, the 97X Modern Rock 500 counted down the best alternative songs as “laps”. The Modern Rock 500 aired on 97X from 1988-2003 and continued on WOXY.COM from 2005-2009. 

Now it returns for one final countdown.

The broadcast also serves as a wrap-up of the 97X-focused podcast Rumblings from the Big Bush (a reference to a distinctly large shrubbery located on the station’s Oxford, Ohio property), hosted by former DJs Dave Tellmann and Damian Dotterweich.

Rumblings over the last few years has caught up with former air talent, station employees, fans of the station, and some of the artists that we played at 97X. It’s been a blast! The podcast has about run its course; but the idea of capping it with the Modern Rock 500 couldn’t be a better way to sign off,” said co-host Dave Tellmann.  Rumblings… episodes can be found on all major podcast player sites and on 97Xbam.  

“We here at Inhailer are honored to hand over the airwaves to the people of 97X who influenced our own musical journeys and the music we play here”, adds Taylor Fox, Founder and Program Director at Inhailer. “We’re downright giddy with excitement!”

“This new Modern Rock 500 will be limited to those songs that landed on the countdown in the past.  It’s taking a look back from a present-day point of view”, states Mike Taylor, 97X Program Director from 2001 to 2010.  “Any way you slice it, it’s gonna be 500 great tunes.”

The 2023 97X Modern Rock 500 is a love letter to its loyal legion of listeners and to station owners Doug and Linda Balogh, for giving the world something super special. We’ll see you at the starting line…

Full list of featured talent:

Aaron Borns

Ali Castellini

Barb Abney

Bill Douglas

Brian Ewing

Bryan Jay Miller

Damian Dotterweich

Dan “Danny Crash” Reed

Dave Tellmann

Dorsie Fyffe

Forrest Griffen

Julie “Jae Forman” Clay

Jeff Rohrs

Jim Mercer

Joe Long

John Jesser

Julie “Maxwell” Argonis

Keri Valmassei

Luann Gibbs

Matt Shiv

Matt “Sledge” Waller

Matthew Harris

Mike Taylor

Mike Winstead

Nick Pleimling

Phil Kollin

Ric “Tile” Cengeri

Rob Ervin

Robin Plan

Stase Wendland

Steve Baker

Tina Kristina Mueller

If all the old bands can reunite, so can we. Long Live 97X – The Future of Rock and Roll!

Mob Rules!

If I had to pick one word to sum up this past Saturday’s Royal Crescent Mob concert, that word would be “joyous.”

Carlton’s smile can light up an entire venue. (Photo credit: Jon Calderas. Full gallery here.)

If I got to use two word to describe it, I’d use “joyous” and “sweaty.”

Joyous and sweaty were the hallmarks of any Royal Crescent Mob live show, back when they were a touring band, in the late 80s through the mid-90s. One of the best live bands in the entire world. Yes, a club band, with a mostly Midwestern fan base. But ask anyone who ever attended one of the RCMob shows and they will easily attest to the Mob’s punk ethos, their funk bona fides and their stellar showmanship. You had a 100% chance of leaving their shows feeling joyous and sweaty.

But it had been 28 years since the Royal Crescent Mob played together live. A lifetime ago. And now “lifetime” has a brand new meaning for the audience members, and especially the band members.

Time takes its toll on all of us. If we’re lucky, we manage to avoid cancer. In that department, the RC Mob has been decidedly unlucky. Lead singer David Ellison is being treated for prostate cancer. Lead guitarist Brian “B” Emch lost his wife to pancreatic cancer earlier this year. Drummer Carlton Smith has a rare form of brain cancer.

Rather than wallow in pity, the band decided to take their heaping helping of lemons and make lemonade… and sell it to raise funds for cancer research.

They played a fundraiser show in Columbus (their home base back in the day) on Friday, and Cincinnati (their second home, and strongest market, thanks in no small part to 97X radio station) on Saturday. Two shows in two nights. A limited engagement. Then again, life is a limited engagement.

It was a different kind of joyous this time around. For a couple of nights, for a couple of hours, they could focus on the music instead of mortality. So could their fans.

we’re four guys up there…and, you know, our audiences, our fan base is our age probably now. And it’s important for them to know there’s like, there’s this shitty thing about getting older, it’s like, things pop up. And, you know, I mean, hopefully we can raise some awareness about that as well. That’d be just extra special to be able to do that and it’s going to mean a lot for everybody to up on stage just to be playing together, that whole camaraderie.

Lead singer David Ellison in this CincyMusic interview with Jon Calderas

The Royal Crescent Mob brought a ton of joy to thousands of people 30 years ago. It was so good to experience that joy once again. It makes life worth living.

And if I had to use three words to describe their show, those words would be: Joyous. Sweaty. Grateful.

Thank you B, David, Carlton and Happy. Take a bow. Because we’re all happy now.

Radio to the Rescue

Doug Balogh recently celebrated his 80th birthday. Doug’s name may not mean much to you, but Doug meant the world to a bunch of youngsters who worked at the radio station he and his wife Linda owned and operated for more than two decades in Oxford, Ohio.

97X was a tiny station in a small college town. It had a weak signal, and it played weird music. Not exactly the recipe for runaway success. In fact, it barely registered on the quarterly list of radio ratings for Cincinnati and Dayton stations. But if you define success by the joy that station brought to both the station staff and the small-but-mighty group of dedicated listeners, then Doug’s ratings are off the charts — on the good side.

Doug gave countless young adults – many of them still in college or recently graduated – a chance to work in radio. For that reason alone, he deserves a ton of credit. But he not only gave them opportunity, but also a ton of freedom to do what they thought was best. To play the music they wanted. To be total goofballs on the air. To learn on the job. To grow up under his tutelage.

I’m probably the poster child for Doug Balogh’s Radio Refuge. I worked in radio for a few years after I graduated college, doing behind the scenes work at a company that ran an AM oldies station and an FM country station. I discovered 97X because they played bands you couldn’t hear anywhere else (Replacements, Connells, They Might Be Giants… I could go on and on). I wound up weaseling my way into some weekend air shifts there. I probably spent more in gas money than I made in hourly wages, but I didn’t care, because I had a freedom I couldn’t find elsewhere in the formatted-to-death world of corporate radio, and a connection to the listeners that made it feel like we were all one big (or not so big) happy family.

But then I had my “lost years”… I wound up leaving the radio biz and was living with my brother in Bakersfield, California and working as a travel agent. I knew I was deluding myself but I was in a bit of a rut. When I finally worked up the courage to try to get back in the radio game, the first call I made was to Doug. He had no business putting out the welcome mat for some travel agent in Bakersfield who did a few weekend shifts at the station three years prior. But somehow, some way, Doug brought me back into the fold. Because he saw something in me that I myself often struggled to see. Doug was an ace salesman, but his greatest skill was talent scout. He had a preternatural gift for sensing the right “fit” in the people who came looking for a job there.

I worked overnights for a year, mornings for a year and afternoons for six months before leaving for a larger station in Cincinnati. 97X was where I found myself… it was the radio reboot I desperately needed. It was a second chance at my first love. It was all that and more, thanks to Doug and Linda.

That was 30 years ago. I’ve said many times since that 97X was the least amount of money I’ve ever made… and the most fun I’ve ever had. The latter is much more valuable, and more precious, by far.

Prior to Doug’s big BD, his son Marty and daughter Kristy asked me to reach out to a bunch of 97X alums and get a birthday greeting from them. Several responded, and I edited the clips together for an audio surprise (seemed like a fitting format for a radio guy) that Marty and Kristy shared with Doug during the birthday celebration. I won’t share the total clip here, but you’ll hear snippets from three folks who worked on the morning show (in order: Julie Maxwell, John “JJ” Jesser and Steve Baker)

“The best job, the best memories, the best collection of people…”

“Mentor. Coach…. wonderful place”

“Best years of my life”

Some folks may think that Doug and Linda ran a tiny radio station for 20 years. But I know better – they created a magical place that still exists in our minds and hearts.

Mission accomplished!

This is why we do it

My buddy Dave and I have been doing a podcast for nearly three years. It’s called “97X Rumblings from the Big Bush,” and it’s about a dearly departed modern rock/alternative/college rock/indie (pick any of those) radio station. Dave and I both worked there in the 90s. The station never made a scratch in the Cincinnati market ratings, much less a dent. But the few folks who did tune in weren’t just casual listeners, they were truly passionate about the music. And 97X was their tribe, the place where they belonged.

The terrestrial station (97.7 FM in Oxford, Ohio) gave up the ghost in 2004. The online version (woxy.com) was lost to the ether in 2010. But it still holds a very special place in the hearts of those who remember it. And that’s the target audience for our podcast. It’s too small to even be a niche, but we don’t mind.

We publish a new episode roughly every two weeks, and we probably average around 160 downloads.

Joe Rogan is not in danger of losing his podcasting crown, that’s for sure.

Over the three years, we’ve published 66 episodes. Each one requires scheduling a call, doing the interview, editing each episode down to roughly 20 minutes, uploading and posting it. (We probably should promote it too, but we stink at that!). So it’s easily two hours of work per episode. We’ve made the princely sum of zero dollars and zero cents for our efforts. (Actually it’s a loss leader – we have to pay for podcast hosting.) But as Dave and I like to say, “we’ve made 150 people very happy” because we’re helping them reconnect with a station that meant a lot to them, and reconnect with the people who made it so special.

Here’s an email we got about a month ago — I think it sums up why Dave and I continue to do the podcast:

Hey Dave and Damian!

I discovered 97X: Rumblings from the Big Bush on Spotify, and have been binge listening for weeks to get caught up! This past weekend I listened all the way down to Nashville and again all the way back, and you made the trip go by so fast.

I love this podcast so much. Hearing your voices and your guests take me right back. This is going to be a long email.

I grew up in Crosby Township, just south of Ross Ohio, surrounded by cornfields, with a view of the Fernald uranium plant in the distance. 

My family wasn’t really into music. As a kid their idea of good entertainment was “Hee Haw”. My older siblings listened to 70s lite rock and country music.  I knew none of this was for me, but I didn’t know what was.

I was in middle school in 1983 when my brother came home from college one weekend and played some new music he’d heard from friends. When I heard The Go-Gos for the first time, I thought it was the weirdest thing I ever heard — and I LOVED IT. Around that time too my just older sister and her high school friends were listening to British pop. I went to a friend’s house for a sleepover, and they had cable tv. We watched the U2 Red Rocks concert on MTV, and I was amazed. I was getting closer, but I still couldn’t find anything in any steady stream that was for me. All I heard was Q102. 

Then one day about 1985, I was in my room flipping through my collection of Star Hits magazines, looking at photos of Depeche Mode and other British bands, wondering what they sounded like, and scrolling through the radio dial…when all of a sudden I heard the most outrageous sounds coming from the speakers. I found 97X!

That was about the only good thing about where I lived: 97X came in crystal clear and was like an oasis among the fields of corn. The music you played opened my mind and heart to soundscapes so different than anything I’d ever known. You took me to places I was sure I’d never get to go. How lucky was I! 

I remember the summers in high school listening to 97X. I always had leftover notebooks at the end of the school year. So I ripped out all my biology and algebra notes, and used up the remaining pages keeping lists of songs I heard and liked on the radio. I filled pages and pages. I hung on every note, counted each song, waiting for you to backsell what you just played so I could write it down. (Gosh I wish I still had those lists!)

Whenever I could, I kept a Memorex 90 minute cassette in the player so I could spring from my bed in time to hit record/play and catch those songs and make mix tapes. And I waited all week for Saturday overnights when you’d play an album in its entirety. I struggled to stay awake til midnight just to hit record, then turned the volume low so I could sleep. In the morning I rewound to listen back, and was either happy or bummed to find out if the entire album fit on one side. I remember getting XTC “Apples and Oranges” that way, and The Indigo Girls and The Smithereens. Then later I would make my own album covers from a collage of pictures and patterns I’d find in magazines.

I didn’t have an allowance or a job, so I’d save my lunch money up to buy used albums whenever I could. In anticipation of The Smiths’ “Louder Than Bombs” I saved and rolled coins for weeks and weeks til I had enough plus tax to buy it brand new at Camelot Music in Northgate Mall. (I think the clerk hated me for my rolls of taped up coins, but I was too excited to care.)

I also didn’t get to go to shows, but did manage two unforgettable ones I heard about on 97X. I got to see Echo & the Bunnymen at Millett Hall, and Gene Loves Jezebel at Bogart’s (I think RedMath opened for them there?)

After I graduated high school in 1989, I went to a little Christian college in Kentucky. The kids there tried to get me into their Christian music, but most of it stunk, bad. Then someone suggested I give the band The Choir a try, and finally I was like, “These are my people!” Bands like The Choir, The Prayer Chain, The Seventy Sevens, and anything by Michael Knott would have fit so well with 97X’s format! I’m still a fan of them and all the music from 97X to this day.

I wish I could say you inspired me to pursue a creative career in music or art or something that would have made me an interesting adult. I’m just a music fan, is all, but can’t play or sing or anything. I got married and became a stay at home mom. But a freaking cool one. (My kids have turned out cool too, they dig all my music and introduce me to theirs.)

Really I just wanted to let you know how much 97X meant to me in my teen years. You truly saved me. I can’t fully express how much you did. But I am Here in large part because of this station. You gave me hope and an outlet. I heard you, and my spirit felt heard in return.

Thank you so much for doing this podcast. Also excited to find playlists on Spotify, and I tuned-in to Inhailer radio for the first time today. And I just ordered a 97X t-shirt from Unsung Salvage Design in Hamilton that I will proudly wear wherever I go.

Please let me know if you are on Facebook. An episode I heard this weekend mentioned “WOXY Forever” but I couldn’t find it. I found the 97X WOXY Alums closed group, but I wasn’t an employee so… The only other page I could find is WOXY.COM The Future of Rock and Roll, which hasn’t been posted to since 2011.

Thanks!
Jen

See? I told you it was more than just a radio station. And it was more than a home for independent music… it was a refuge for whole bunch of folks like Jen who felt like they didn’t fit in anywhere else…. and 97X became their home.

Really I just wanted to let you know how much 97X meant to me in my teen years. You truly saved me. I can’t fully express how much you did. But I am here in large part because of this station. You gave me hope and an outlet. I heard you, and my spirit felt heard in return.

(We got Jen’s permission to print her email, in case you were wondering.)

The station and its programming was driven by the idea that true independence is possible only when practiced with and for other people. The book argues that this idea of independence is what we need to fight the 21st century corporate mainstream, which is driven by the false idea that real independence is being left to fend for yourself.

Robin James, describing the book she’s writing about 97X. Read more here.

So close, and yet so-cially distant.

In case you missed it (and there’s a 99.9% chance you did miss it), the podcast that I co-host is yesterday’s news! Er, I mean, it was in yesterday’s Cincinnati Enquirer. What do you mean you don’t subscribe to a newspaper? What do you mean you don’t even know what a ‘newspaper’ is?

“Daddy, this iPad is broken…”

Luann Gibbs wrote a “Top 10 ways to practice social distancing” article, and there we were, right at the top of the list. OK, eight spots away from the top of the list. But still, we got some ink!

Full disclosure: Luann Gibbs used to work at 97X, the station that is the focus of our podcast. But neither Dave nor I knew that she was going to mention us.

“Extra, extra… two old guys talk about a radio station that died a decade ago!”

It was our “the new phone book’s here” moment.

Actually, Dave and I don’t harbor any delusions of grandeur. (Occasionally, we do have delusions of adequacy, but we lie down until those go away.) Our podcast is extremely niche. Some podcasts have thousands of regular listeners, some have hundreds… we have “tens” of listeners. As I often say, “we’ve made about 50 people very happy” by bringing back fond memories of a small-but-mighty and much-beloved indie rock radio station. But it’s always nice to get a bit of recognition for the hard work you’ve done.

And now that we’re all under house arrest, there’s never been a better time to check out some new podcasts.