Gather round, kids. Grandpa Dubbatrubba’s gonna tell you about a time when there was this thing called “radio.” You could listen to “stations” that played different types of music – you know, like those Spotify “Daily Mix” playlists.
And certain stations — they were usually the small ones, semi-neglected ones, with weak signals, would play all sorts of music that other stations wouldn’t. Up-and-coming bands with weird names. It was called “college rock” and it was amazing.
And if you were a “college rock” band and you wanted to tour, you had to make connections with other like-minded bands. And maybe your parents helped out:
So much has changed about the music business. But there’s still room for “college rock” bands. And they still need friends and family to help promote them.
Buffalo Tom‘s new album Jump Rope came out on May 31st.
They’re still great.
They’re doing a bit of touring, mostly the East and West Coasts, with some European dates, and then a three-night homecoming festival near their Boston hometown.
Tell a buddy, and bring a friend.
Oh, and a bit closer to home, a band called The Collies has been added to the bill for a show at Madison Live in Covington, KY this Sunday. Father’s Day. My oldest son is in that band. They get a cut of the tickets they sell. Want one? Call the drummer’s dad. If you sound like you’re from the South, I’ll talk to you for an hour.
Wussy rocks! Tonight, they’re going to bring their amazing songwriting to life in an intimate setting. And that gets me right where I live.
The show is part of Chuck and Lisa’s house concert tour. A company called Undertow organizes these tours for Wussy and several other artists. They take care of ticket sales and all the other details. You can host a show… or see one. Check out the current roster here. In my email exchanges with Jayne from Undertow, I thanked her for what Undertow is doing to bring great artists to folks all over the country. Her response:
She’s right, I do give a damn about artists like Mark, Lisa, and Chuck. (They also happen to be super-kind human beings… a huge bonus!)
Music is my happy place. Home is where the heart is. Tonight, I get the best of both worlds. It’s gonna be beautiful.
It’s not my podcast, actually. It’s the podcast that Dave Tellmann and I do… or did, rather. But we’re still hauling in the hardware (“we’d like to thank the members of the academy…”) and reaping the accolades (“none of this would’ve been possible without your support…”).
The latest shout-out came courtesy of Cincinnati CityBeat.
Our “97X Rumblings from the Big Bush” podcast has run its course. (We did do a bonus episode recently after Mojo Nixon passed away.) But maybe a few more fans of the station will find their way to our little ol’ show. Which is the point.
“Rumblings” has a lot in common with a kid’s fort.
You can tell a lot of time and effort went into the construction of it, but it’s still clearly quite amateur. And that’s OK. For the few folks that tuned in, it was a time capsule from a time in their lives when the music and the people who shared it mattered a great deal to them. Those connections still matter.
We appreciate the recognition from CityBeat. Now if you’ll excuse us, Dave and I have to go put on our tuxedos for the awards ceremony.
I’ve always had a face for radio. But my first cousin once removed is a star of stage and screen!
That’s Erika Henningsen (my first cousin once removed!) on the right. She has the lead role in Hazbin Hotel, a new animated series now streaming on Prime. She plays… the princess of Hell!
She also played “Young Gloria” in Girls5Eva – all episodes of that series are now available on Netflix.
And she originated the role of Cady Heron in Mean Girls on Broadway.
(I think that’s her future hubby Kyle Selig on the left… )
Oh, and she made her Broadway debut as Fantine in Les Miserables. NBD.
Acting isn’t an easy profession. There’s plenty of drama before you even get to the drama (or comedy, or romance, or…). I’m glad Erika learned early on that you need to be resilient, and to separate your work worth from your self-worth:
“Constant rejection became a thing that was just inevitable,” Henningsen said of the cycle of auditions. “It is inevitable in this business because there is so much job turnover. I think I got used to that much faster than I anticipated, because I realized that rejection has nothing to do with my identity or my sense of purpose; it just is for that one job. And the sooner you can get over it, the sooner you can move on.”
I spend most of my waking hours (typically 2-6 p.m. – I’m very sloth-like) listening to music. And on those rare occasions when I’m not listening to music, I’m listening to podcasts about music. (60 Songs that Explain the 90s is hilarious!) One of the shows in the regular rotation is Sound Opinions, co-hosted by longtime Chicago music critics Greg Kot and Jim DeRogatis.
Their most recent episode is “Give the Drummer Some” – here’s the synopsis:
I enjoyed the entire episode (although I vehemently disagree with fellow-Jersey-City-born Jim DeRogatis’ opinions about The Who). But it was the final segment, an interview with influential R&B, soul and funk drummer Bernard “Pretty” Purdie, that really caught my ear. Because it wasn’t just about music, it was about life.
Bernard Purdie has a signature drum sound: “The Purdie Shuffle.”
His session work can be heard on thousands of songs, especially ones from the mid-60’s through the early 80’s. Aretha Franklin. Steely Dan. Hall & Oates. Nina Simone. Miles Davis. The list goes on… and on. Here’s one legendary example:
Purdie’s handiwork (and footwork too – drummers put their body and soul into it!) has been sampled by plenty of hip-hop artists in the ensuing years. And here’s the thing: If you’re not the recording artist or the songwriter, you probably don’t get a nickel in royalties. If someone wanted to sample the “Rock Steady” drums, they’d have to cut a check to Aretha, not Bernard.
It would be easy for him to be “Bitter Bernard” instead of “Pretty” Purdie. But he’s not. Check out this two-minute clip from the interview on Sound Opinions where he talks about his approach to getting the short end of the drumstick:
Yes, I was bitter for a while. No more. I stopped being bitter because bitter means that you don’t live long… I just want to have fun. I want to enjoy myself and have a ball!
Bernard Purdie
That’s just beautiful!
I tuned in for some music, and got a life lesson in the bargain. Keep rockin’ steady, “Pretty” Purdie!
You done said…