What’s in a (wrong) name?

 

Did you know “misspelled” is one of the most commonly misspelled words in the English language? (People usually leave out the 2nd “s”.) Another commonly misspelled word is my first name. It’s Damian. But folks mess it up all the time. Not just strangers, mind you, but people who have known me for years. Granted, there’s also a name that’s similar, spelled Damien. But it should be easy to keep those separate in your head – I (DamiAn) am an Angel, and DamiEn is pure Evil.

I’m in the mentoring program at my alma mater, Xavier University, and they recently published a promotional video featuring my mentee and me. (I know why they did it… so other alums would say “geez, if that loser can do it, I can too!”) And of course they spelled my name incorrectly. (Warning: this video contains scenes of middle aged mediocrity.)

Poor Maddy. Not only did she get stuck with me as a mentor, but they also misspelled her first name.

It turns out that this misspelling has been going on for half a century. While going through the archives of the Jersey City Journal (I really need to find a new hobby), I found the obituary for my mom… and you guessed it, they messed up my name.

My co-workers… even folks I’ve worked with for more than a decade… often get it wrong.

Well, the joke’s on them now, because we just hired a DamiEn and I’m gonna forward all the emails with my name misspelled to him.

 

 

 

 

 

 

 

Corny jokes and cornfields

Roy Clark is a-grinnin’ in heaven.

Seems like nearly everyone had a love/hate relationship with Hee Haw, the cornpone version of Laugh-In. As a New Jersey native transplanted to Arkansas in the summer of ’72, I could certainly understand both parts of the equation (i.e. “ha-ha, what rubes!” and “ha-ha, that’s my life!”). It was super-hick instead of super-chic, yet somehow it worked, and lasted a quarter of a century.

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Roy’s instrumental mastery (his “a-pickin'”) was often overshadowed by the part he played on Hee Haw (“a-grinnin'”). But the man had major skills. And because Hee Haw only taped for three-week stretches twice a year, he could still tour. Good work if you can get it. Plus, the show gave a lot of country artists their first national exposure, something Roy was proud of:

With all of its twists and turns, the program gave me an incredible education in the business of show business—the importance of ratings, questionable executive decisions, syndication, money, problematic artistic decisions, demographics, image, coincidence and luck. But first and foremost, I am most proud of how Hee Haw did its part to help pave the way for country music to burst from its regional roots to remarkable worldwide popularity.  (Source: this Huffington Post article written by Roy in 2015)

Tony Orlando, Johnny Cash and Roy Clark – quite a trio.

The show itself, and Roy and Buck, served as both punching bag and punchline for many critics over the years. But as usual, Roy got it… and got the last laugh.

You know, like my dad told me, listening to different types of music and the way that people live, he said, don’t put it down until your heart hears it.

Now, you’ll hear it with your ears, but don’t write off, say I don’t like that. Listen. Listen for a while. There’ll be something in there that will appeal to you. And it – it’s made me, you know, a successful life that I wouldn’t change one note. (Source: Roy Clark’s NPR interview with Scott Simon in 2016 – full audio is below)

 

 

My life is a comic strip

Now that our oldest son is a college freshman, this Pearls Before Swine strip from Sunday perfectly sums up our relationship:

And since we’re already talking about slang, how about some Beach Slang:

 

May all your favorite bands stay together

The first time I saw the band Dawes was in 2006. They were called Simon Dawes back then, touring behind their debut album, and they played a tiny club in a rundown part of the city, opening up for Band of Horses, with about 50 people in the audience.

The next time I saw Dawes (they dropped the Simon due to personnel changes*) was in the summer of 2012. They were supposed to play the Taft Theater in downtown Cincinnati, but ticket sales were so poor that they moved the gig to the downstairs “ballroom” – which is basically like an oversized version of your high school friend’s basement rec room. The audience tally was roughly 200.

A year later, in June of 2013, I saw Dawes at the Southgate House Revival, which holds 600, and they probably drew 500.

Last night, Dawes played the 2,500-seat Taft Theater… for real this time, they didn’t move the show to the basement ballroom. The gig was part of their “An Evening with Dawes” tour, so there was no opening act, and they played two long (and killer) sets with a brief intermission. It wasn’t sold out, but it was pretty darn close, with nearly 2,000 fans singing along to their songs (which typically sound better in concert than on the albums).

There are artists who truly are an “overnight success,” but more often than not, there are long years of hard work involved, playing tiny clubs, cramming into a Ford Econoline to get to the next sparsely attended gig, sleeping on friend’s couches or at motels that have a number in their name (Motel 6 or Super 8… the choice is yours). Giving it your all, night after night, even when you’re sick or tired. Building up a fan base one show at a time.

I hope that life without a chaperone is what you thought it’d be
I hope your brother’s El Camino runs forever
I hope the world sees the same person that you always were to me
And may all your favorite bands stay together

If you put in the work, when your time comes, success will be that much sweeter.

Now it seems like the unravelling
Has started too soon
Now I’m sleeping in hallways
And I’m drinking perfume
And I’m speaking to mirrors
And I’m howling at moons
While the worse and the
Worse that it gets

Oh you can judge the whole world on the sparkle that you think it lacks
Yes, you can stare into the abyss, but it’s staring right back

When my time comes
Oh oh oh oh
When my time comes
Oh oh oh oh

 

*Guitarist/songwriter Blake Mills, who left the band in 2006, is now an acclaimed producer… and he produced Dawes’ 2016 album.

Let’s all band together

A week and a half ago, I’d never heard of the bands Wilderado and Sure, Sure. Now I love ’em. All it took was one concert. That’s what I love about seeing up and coming bands in tiny clubs – the joy of discovery and the intimacy of the room can be musical alchemy.

Hat tip to my friend Jeff – he’s the one who put Wilderado on my radar. He knows my musical tastes and figured I would like them, and mentioned their upcoming show. I’d never heard of them at that point, much less heard their music. But thanks to the Interwebs, I was able to listen to quite a few of their songs, and Jeff was correct – they are right in my musical wheelhouse, a bit like Band of Horses mixed with Houndmouth. They absolutely killed it on stage, in front of about 50 people, and seemed genuinely appreciative of the folks who came to the show.

Sure, Sure was the headliner, and they were a bit more like Vampire Weekend spending the weekend at the Talking Heads house. (They even did a Talking Heads cover.) Much like Wilderado, they were fantastic in a live setting.

There’s an apochryphal quote attributed to Hunter S. Thompson:

“The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There’s also a negative side.”

He never said or wrote that (he wrote something similar about the TV industry) but the quote is often repeated because the shoe fits. A year from now, both Wilderado and Sure, Sure could be no more, chewed up and spit out by the industry machinery. But we’ll always have that Tuesday night in Covington, Kentucky.

 

(Hat tip to the club’s sound man too. I’ve been to many, many concerts in tiny rooms over the past three decades, and a muddy or overly loud mix is a real buzzkill. This concert’s sound was pristine.)

 

 

 

More on Blogger Bob… and another local music luminary

After yesterday’s post about Bob Burns, my fellow DJ at 97X, Matt Sledge, posted a comment: