A week ago, I saw the best concert of the year. And Taylor Swift was nowhere to be found.
Don’t get me wrong, I’m not a Taylor hater. Far from it. I have a ton of respect for anyone who writes their own songs.
But I saw a terrific band from New Zealand called The Beths at a small club in Cincinnati, and they hit all the right notes, literally and figuratively.
During the show, I just savored the sights and sounds. But after the fact, I tried to analyze why I liked the gig so much. And I came up with a few items on my concert checklist:
Great songs – it’s about the music, first and foremost. Lead singer/songwriter Elizabeth Stokes writes songs with hooks that are catchy and lyrics that are profound.
Live, not Memorex – The Beths are a four-piece band, and they play their own instruments, live, without backing tracks. I know a lot of bands are using pre-recorded tracks these days… but I don’t go to a show to hear studio recordings. Elizabeth Stokes has a great voice, and plays guitar as well. Guitarist Jonathan Pearce, bassist Benjamin Sinclair, and drummer Tristan Deck also sang backing vocals, which added greatly to the overall sound of the songs.
Setlist – The songs matter, but so does the sequencing, and the mix of “classics” to new songs. The Beths have released three great albums, without a bad song in the bunch, so they were working from strength, but their set featured really strong songs from each of the albums, with a nice mix of singalong anthems and quiet ballads. (You can listen to the songs from the set at setlist.fm.)
Sound system – All three of the above can be ruined by a bad sound mix. The Beths played The Woodward Theater and the sound was stellar, and the sound engineer kept the volume at a reasonable level. (If I had a nickel for every band I’ve seen where the sound engineer had the mix WAAAY TOO LOUD, I’d be able to afford better earplugs.)
Energetic band – The Beths were having fun on stage, and that can be contagious. A running gag was them shouting “O-H” and waiting for the crowd to reply “I-O!” (It’s an Ohio State thing – The Beths made no bones about the fact that they had no idea what the cheer was about, but someone had told them to do it at Ohio concerts.)
Enthusiastic audience – the folks at the show weren’t casual fans. That’s the beauty of being an up-and-coming band – the people who like you are dedicated, and are there because they like your music, not because your lead singer is on a Disney show or TikTok.
Intimate venue – all other things being equal, being able to get close to the stage at a club is so much better than an arena show with giant barriers between you and the performers.
There you have it, my Sonic Seven ingredients for a tasty gig. Not that you asked.
This KEXP live in-studio performance gives you a taste of what The Beths are like in a live setting.
This stripped-down set highlights the brilliant songwriting.
And here’s the title track from their brilliant new album:
Yesterday, my friend Dave and I recorded a podcast episode. Just like we’ve done nearly 100 times over the past five years.
Never heard of our podcast? You’re not alone. 99.99% of the world has never heard of it, much less heard it. But for the few, the proud, the folks who remember a tiny “modern rock” station in Oxford, Ohio, the podcast was pretty darn cool. It helped them reconnect with the station, the music, and the people that meant a lot to them.
“I am not sure you guys realize just what impact having this modern rock format has had on my life… your podcast has brought about all of these thoughts, feelings, and memories of the soundtrack of 21 years on my life. I thank you for playing your part in it back then and I thank you for creating this podcast to help me process just what those 21 years have meant to me.”
“Thanks for the pod. It is like finally being able to talk with someone about the treasure that was WOXY.”
We found a niche — actually, it’s more like the niche found us, because we were horrible at promoting the podcast. But somehow, some way, the people who wanted to listen found us. And we had a ton of fun in the process.
But now we’ve exhausted the list of potential guests and topics. It’s been great, but it’s time to pull the plug on “Rumblings.”
I’m really proud of the work we did. Step 1 was figuring out how in the heck to do a podcast. Then came setting up the website, finding a hosting platform (Podbean has been great), scheduling the interviews, figuring out how to record them when we’re in different locations, doing the editing, and finally posting them. We put out a new episode nearly every two weeks for close to five years. It was a labor of love, but the accent was on “labor.”
I’ll miss it. It wasn’t just a chance for listeners to reconnect with a station they loved, it was also a chance for me to reconnect with my radio days. Guess I’ll have to find another outlet for my podcasting prowess (using that term extremely loosely). I have no idea what that’ll be. So you and I both will have to stay tuned…
More heat emergencies. More wildfires. The hottest ocean temps in recorded history. It can be easy to despair about the state of the world that we all share. Or give up hope completely.
But a recent New York Times article gave cause — causes actually — for optimism, and I’ll take all the good news I can get.
Sorry about the paywall thing… FWIW, cheapskates like me avoid it by using a free day pass from the public library. The Cincinnati Library one is here.
Here are a few choice excerpts:
Coal: it’s only for bad kids’ Christmas stockings.
Bob Dylan was right – the answer is blowin’ in the wind!
Without a doubt, we’re still in a crisis. The planet is in peril. But the winds of change are blowing, and we might be seeing the dawn of a new day (and capturing those solar rays in the process). Go Team Earth!
I’ve signed up to ride my bike 24 miles (in a row… crazy, I know) in the Ride Cincinnati event on September 17th to raise funds for the University of Cincinnati Cancer Center and the Barrett Cancer Center. If you could see it in your heart (and find it in your wallet) to support me, I’d greatly appreciate your tax-deductible donation. 100% of your contribution will go directly to life-saving cancer research and care in the Greater Cincinnati area.
Me on a “training ride”:
Me during the actual Ride Cincinnati event:
The University of Cincinnati Cancer Center is trying to achieve National Cancer Hospital (NCH) designation, which would make them eligible for more funding, and enable them to provide more treatment options to patients.
Cancer is a cruel disease. Just a few months ago, my mother-in-law succumbed to renal cancer. She went from active, independent grandma to bedridden, pain-ravaged patient in less than a year. I hope and pray for a day when cases like hers have a better outcome. With my pedaling and your support, we can help kick cancer’s butt.
I’m not going to set any land speed records on my ride, but I’m really close to my stretch goal of $1,000. With your help, I can get there. Thanks!
This is the story of a Prince, a Pope and a young woman.
Sinéad O’Connor was 23 when her second album I Do Not Want What I Haven’t Got rocketed up the charts, mostly based on the strength of her cover of Prince’s song “Nothing Compares 2 U.”
She didn’t just cover Prince’s song… she made it her own.
Sinéad was just 25 when she appeared on Saturday Night Live and performed Bob Marley’s “War.” She didn’t just cover Marley’s tune, she made it her own… by changing the lyrics to reference child abuse. Oh, and as we all know, she did so while tearing up a photo of the Pope.
For doing so, she was “cancelled” before cancel culture was even a thing.
In a post-Spotlight world, when we know much more about the child abuse being committed by members of the clergy, and about the coverups by the higher-ups, I hope people can better understand the motives of Ms. O’Connor. She wasn’t just protesting clergy abuse either, but child abuse in general. It was something she had firsthand experience with.
The photo itself had hung on the bedroom wall of O’Connor’s mother, who O’Connor later said had physically and sexually abused her as a child.
At 14, Sinéad was sent to live at one of the infamous Magdelene Laundries in Ireland.
“We were girls in there, not women, just children really. And the girls in there cried every day. It was a prison. We didn’t see our families, we were locked in, cut off from life, deprived of a normal childhood. We were told we were there because we were bad people. Some of the girls had been raped at home and not believed.”
Nine years after she tore up his photo, Pope John Paul II sent an email apology to the victims of sexual abuse perpetrated by priests and other clergy in Australia and the surrounding region, acknowledging the scandal for the first time in his papacy.
In 2010, Pope Benedict XVI said in an 18-page letter that he was “truly sorry” for the abuse suffered by victims at the hands of Catholic priests in Ireland, O’Connor’s home country.
Perhaps with the benefit of hindsight, we can see Sinéad’s protest as a clarion call… and we can see Sinéad as more prophet than pariah.
In a tribute to O’Connor following her death, Irish comedian and actress Aisling Bea wrote on Instagram that “everything she stood up for and against then, including racism in the music industry, has been proved to have been needed and right…She was the original truth sayer who wouldn’t go easy into the night.”
Kevin Sullivan on Life advice from a man who lived it: “A good one Damian. Bring our lens into focus after the long weekend or our long life journey.” Jul 7, 09:38
Thomas Kuhl on We’re alive, because nothing happened.: “That is why we should celebrate every day when our feet hit the floor. Another to enjoy and share with…” Jun 25, 04:33
Thomas Kuhl on We’re alive, because nothing happened.: “This simply explains why we should celebrate every day our feet hit the floor. Another day to enjoy and share…” Jun 25, 04:31
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