Richard the Great

Oops, I did it again… I went and saw Richard Thompson live in concert again last night.

I’ve posted about him before. And I’m going to do it again, because he’s so doggone good. Nay, great. Last night it was the Richard Thompson Electric Trio, featuring RT, a bassist and a drummer (and occasionally Richard’s guitar tech on guitar, making it, as Richard said, “a very large ‘trio'”). They absolutely rocked the Southgate House – a former church… saints be praised!

To see a man who is 69 years old (and has been in the business 50 years) absolutely shredding on guitar is life-affirming to a middle-aged dude like me. Although it’s a double-edged sword – a couple of friends of mine who are in local bands (Wussy and Pike 27) were in the audience, and they joked about donating their instruments to needy kids after seeing Richard Thompson because they realized they’ll never be as good. But there’s no shame in that; millions of performers aren’t fit to carry his guitar pick. He’s a quadruple threat, as I mentioned in my previous post (with a few updates):

The show was a typical RT show… which is to say, amazing. I don’t think you’ll find his rare combination of talents in too many folks:

  • virtuoso guitarist – I’d put him up against any teenage phenom. 
  • phenomenal voice – so strong, even at age 69. 
  • fantastic songwriter – great, sometimes twisted lyrics and wonderful melodies. It’s no wonder his tunes have been covered by the likes of R.E.M., Elvis Costello, Bob Mould, Bonnie Raitt, Reckless Kelly, The Neville Brothers, Marshall Crenshaw and Dinosaur Jr. (that’s a festival lineup I’d like to see).
  • entertaining stage presence – that droll British wit is always in evidence.

The Electrio Trio was fantastic (you can catch their entire Shrewsbury Folk Festival performance from a few months ago here). The songs from Richard’s latest album 13 Rivers are a great addition to his oeuvre. Back catalog highlights for me were “Wall of Death” and “Tear Stained Letter.” But late in the show Richard played back to back acoustic numbers that are utterly brilliant: “Beeswing” and “Dimming of the Day.”

 

Most artists would kill for just one song as good as those. But for Richard the Great, they’re just par for the course. I still have goosebumps.

 

 

 

 

 

 

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