The fickle finger of fame (a.k.a. A Tale of Two Artists)

On Thursday, I went to see a 25-year-old singer/songwriter in concert. On Saturday, my wife and my daughter went to see a 28-year-old singer/songwriter in concert.

The person I went to see has released four albums. His first releases featured a blend of country, blues and gospel, but his new album skews more toward pop while retaining those other influences. The person my wife and daughter went to see has released six albums. Her early releases were mainstream country, but her most recent releases are decidedly pop.

The guy I went to see played at the Southgate House Revival in Newport, Kentucky to an enthusiastic audience of about 400. The woman my wife and daughter went to see played in a field in Chicago… to an adoring audience of 61,500.

There isn’t much difference in talent between Parker Millsap and Taylor Swift.

One just has a stronger reputation.

You can keep your arena shows… I’m happier with other arrangements.

Because sometimes (but not always!) selling out stadiums requires a different form of selling out. And for the price of a single nosebleed seat to see T-Swizzle, I can get up close and personal at a dozen smaller shows.

It’s such a fine line between relative obscurity and worldwide fame.

 

 

 

 

 

 

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