Buffalo Tom is my favorite band. Their heyday – such as it was – was back in the early 90s. A three-man band from Boston (not Buffalo), they are still together, but record only sporadically and tour even less frequently.
However, they did give their hardcore fans – the ones like me who contributed to their Pledge Music fundraiser for their new album – an early Christmas present. On 12/24, they shared an early release of their new album, Quiet and Peace which is slated to come out on March 2 of next year. It’ll be their first release in seven years, but they haven’t missed a beat. It sounds fantastic. (You can pre-order it here.)
The first song is available on Spotify and Soundcloud.
Here’s an excerpt from this Stereogum article with lead singer Bill Janovitz talking about the track:
“[‘All Be Gone’ has] this blue sky, sunny day feel to it, but it’s a really melancholy lyric in a lot of ways,” Janovitz told me when we spoke over the phone yesterday. “It’s pretty self-evident about getting older, [with lyrics like] ‘My time behind is greater than my time ahead’ — that sort of stuff. But it’s kind of a blazing, Buffalo Tom ‘let’s get the guitars up’ sort of track.’
“[As] you get older, you feel like holding onto time, especially when you have kids,” he adds. “And I’m just a victim of nostalgia in any point in time — I’m so vulnerable to it. I wear my emotions on my sleeve. Kids grow at such an exponential rate, it really hits home to you. A lot of [the song] is about that, certainly. But it’s also not just this sad, melancholy song — it’s really about carpe diem, seizing it all as you can, and trying to hold on.”
And check out this Stereogum article about the Boston music scene in the 90s for more on my boys:
Buffalo Tom are roughly analogous to other somewhat overlooked artists such as Judee Sill or the Dream Syndicate; not the most prominent artists of their time, but a hidden treat for someone that falls in love with an era’s music and wants to dig a little deeper. If they do, they’ll find scores of poetic, ingratiating rock songs that can stand proudly on a playlist next to Weezer and Guided By Voices. Anyone who cares enough to know who they are thinks well of them, and Janovitz suspects he might hear a bit of their influence on younger artists like Japandroids and Speedy Ortiz — both of whom he loves. Buffalo Tom have carved out a place for themselves, and these days, that’s enough for him.
Later in the same article, there’s this great quote from Janovitz:
Not only is Janovitz surprisingly open about why Buffalo Tom never connected on the same level as some of his peers, he brings the subject up himself. “I can give you theories why I think we weren’t bigger. I think our lyrics are opaque, but we’re not like Pavement with opaque music. A lot of our music was very emotional, but it wasn’t really direct songwriting. There really wasn’t a compelling frontman. It was faceless and nerdy, but not ‘nerdy cool,’ like Weezer. It was a bunch of things that were never quite right,” he says. “I wish I could blame a press agent or a manager or a label. But I think we were given an ample shot.
“Ultimately, I can’t complain too much,” he adds. “I always wanted to be respected more than rich. I wanted people to really like our music. I wanted to touch people. I wanted people to understand. I wanted people to hold us up like I hold up my heroes.”
Mission Accomplished, Buffalo Tom. 30 years later, I still love your music.